Checking in

April 22, 2019April 22, 2019 | Rebecca Gibson

I arrived in Grantown-on-Spey at night, so couldn’t see much of the Cairngorms wilderness that pressed heavily on both sides of the winding road. I glimpsed darting rabbits and the elegant form of a pair of deer, but there must have been dozens of other creatures concealed by the dense evergreens.

My accommodation, the Grant Arms Hotel, was beautiful; a formidable building of stone and wide sash windows that could easily be the set for an elaborate period drama. Also called the Wildlife Hotel, the Grant Arms provides guests with easy access to a range of reserves of all different habitats. When I checked in, a large notice board stood pride of place in the foyer, full of lists of upcoming events, guidance on watching wildlife – including the magnificent capercaillie – and sign-up sheets for the week’s guided walks and field trips. An impressive puzzle adorned with a picturesque nature scene lay finished nearby. On the walls were images of puffins, ospreys, black grouse and, in my room, a beautiful fieldfare. I’d never seen so much wildlife-related decor and I absolutely loved it.

As I unpacked, I felt a thrill of eager anticipation for the week to come. I’d never stopped in the Cairngorms before but only passed through, so I couldn’t wait to sample some of the incredible wildlife. I had my sights set in particular on the pine marten – an elusive and nocturnal member of the mustelid family. If I was going to fulfil my New Year’s Resolution and see one in 2019, the Grant Arms Wildlife Book Festival was my best chance.

The Wildlife Hotel

April 16, 2019April 16, 2019 | Rebecca Gibson

On The Wing has been quiet recently, not for lack of inspiration but for lack of time. Over the past few months I’ve been busy with a few different projects. I’m close to finishing an annual report for SEZARC, outlining the highlights of their work in 2018. I’ve also moved part-time into the library where I’m filling notebooks with scribblings about Siberia, Russian megafauna, native tribes and the mysteries of shamanism. All this is for my book idea and the more I read, the more I need to read. It’s a constant cycle of finding a book, reading something fascinating and looking up similar books to find out more. I’d love to eventually start the actual writing process, but so far I’m waist-deep in other people’s books and loving every minute.

All of this work has meant that I’ve neglected my camera and seen most of my local wildlife from behind glass recently. However, this week brought the perfect opportunity to get back outside and into nature. It’s the Wildlife Book Festival at the Grant Arms in the Cairngorms. Also called the Wildlife Hotel, the Grant Arms is a beautiful Victorian building within easy reach of dense pine forests, boulder-studded rivers and sweeping mountain valleys. In other words, the perfect place to celebrate British wildlife.

It feels fantastic to be back out there with binoculars around my neck and a crumpled notebook in my hand. It also helps to be in such a stunning location. St Albans is nice, but when you’re woken to the sound of squealing oystercatchers and only need to walk for five minutes before hitting a thousand acre wood (check mate Winnie the Pooh), there is simply no contest.

It’s so easy for me to get caught up in work. I get so engrossed that I forget to ever switch off, which makes this week a very important break. It’s a little telling that I need to travel five hundred miles from home to take that break, but when the scenery is this pretty, I’ve figured it’s alright.

New Leaves

March 14, 2019 | Rebecca Gibson

This year I am dedicating a lot of my time to something I have wanted to do for many years: write a novel. I often write fictional scenes and enjoy creating characters and I wanted to set myself the enormous challenge of extending those elements into a book. I’ve read that while many authors swear by detailed outlines and believe that spontaneity is recipe for disaster, others encourage new writers to see where their imagination takes them. I’m trying the latter technique. I have a protagonist and several themes I would like to focus on, but so far my plot is far from finalised. The following is a passage I’ve written as a scene-setter that introduces both the location and my leading lady.

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The snow fell heavier than it had in a hundred years. There was no wind – the land lay still, muffled under six inches of brilliant white. Evergreens buckled beneath the weight of their silvery coats. Even the river had succumbed to winter; it lay motionless beneath a slab of ice, arranged in a winding, serpentine fashion between hills and mountains. It was late February – there was just over a month left of the winter that spanned half the year, but the coldest season still had a firm grip over the land. In March, the climbing temperatures would start to melt the snow into large freshwater pools and reawaken sleeping giants eager for the salmon run in July.

Halfway up a sprawling larch tree perched a teenage girl. She was small for her age, but agile and nimble. With her back pressed against the trunk, she had the perfect vantage point over the land. Before her the forest sprawled as far as the eye could see. Thousands of trees stood beneath snow and ice, their skeletal branches brittle in the cold.

Vanya’s breath rose from her lungs in icy shards, tumbling from her mouth in clouds of grey mist that swirled upwards into the sky. An eagle cried far away, her voice transported many miles over the sleeping land. Vanya had lived in the taiga forest her entire life, but gazed upon its sweeping scenery with the same wonder as the first time she saw it. It was a paradise of silver beauty. The silence was so thick she could feel it, heavy and palpable in the air. It was an anticipative silence that made the hairs on her neck stand on end. There was change in that silence – something new just beyond the horizon.

Despite her thick furs, Vanya soon began to feel the cold as the sun weakened. While she still had the light to see, she descended from her tree, scrabbling down the trunk with impressive confidence before dropping the last six feet to the soft ground. She padded down the hill, sinking into the snow with each step. Behind her lay a long trail of boot prints, already softened at the edges by fresh flakes. Frost clung to her eyelashes, brushing her cheeks with cold strokes and fringing her vision with a white vignette. Snow rustled in the folds of her coat and crunched beneath her feet. If undisturbed, the snow would fall and rest in utter silence. Only when it was touched did it begin to whisper and crackle. In the heavy air, the sounds were deafening.

When she reached a dense thicket of pine trees, Vanya slowed her pace and gazed skywards, scouring the canopy for birds. Snow clogged the gaps in the branches, concealing all manner of wild creatures. A sudden commotion cut through the silence like a knife. Vanya’s eyes flicked to the sound, freezing on the spot as a flurry of fine powder drifted down. The branch trembled, sending more snow to tumble from within its stiff needles. In moments the raid was over and the culprit emerged at the trunk. It was a young male sable, perhaps from last year’s litter, with dark brown fur and a splash of dusky orange on his neck. A small, carnivorous mammal, the sable belonged to the marten family. The animal cascaded deftly down the tree with agile limbs and keen claws.

Landing with a soft thud on the forest floor, he immediately looked up at Vanya, who had sunk down onto her knees to watch. The sable was clutching a stolen egg in his mouth, razor sharp teeth sunk into the shell for a better grip. Confidently, he trotted over to Vanya, dropped the egg and began sniffing her coat. Vanya extended a hand to the animal, noting the way his sleek fur rippled with each movement. The sable studied the girl’s face briefly before clambering onto the open hand, his nose twitching furiously. Vanya ran the backs of her fingers along his fur, delighting in its buttery softness. After a few more moments in her hands, she set the animal back down onto the snow, where he snatched up his egg. With a brief backward glance, the sable lolloped away to cache his prize.

To anyone else, this behaviour was unheard of. Sables, like many mustelids, could be notoriously aggressive towards humans, especially when food or kits were involved. Vanya was an exception to the rule. Since birth, she had truly understood animals. They were not stupid or cruel, like humans, but sensitive and respectful. Vanya saw no reason not to behave equally, and in response any animal she interacted with was fascinated by her. They sensed goodness in her; a quality that they had learned was absent in most humans. Instead of fearing her, they immediately trusted her.

Vanya studied the sable’s prints in the snow. In less than a minute, the snow obscured the impressions the tiny pads had made. In five minutes, they had disappeared completely. Her interaction with a wild sable might never have happened. Vanya was alone, and yet surrounded with life.

An Unscheduled Spring

February 26, 2019 | Rebecca Gibson

It seems as if spring has come early, and I’m certainly not complaining. For the past few days I’ve been stuck indoors trying (and mostly failing) to write through an infuriating case of The Block. Multiple times I’ve caught myself gazing outside at the gorgeous sunshine, listening to the spring sounds of birds and bees that come drifting through the open window. I decided that it was time for a break, so I arranged to meet my friend Chloé for a walk. Chloé is an artist and writer with a deep love for wildlife like me. She recommended a local patch of woodland that I hadn’t even heard of before. I love discovering new wild places, especially ones I’ve driven or walked past without realising they’re there!

Heading away from the noise of the road and nearby school, we set off into the park. Chloé pointed out the numerous trees that could be found here, and I was surprised to see such a variety of species in a relatively small area. I’ve always struggled to identify trees, especially during winter when there are no leaves to study, but Chloé said that leaves can actually be a distraction. She showed me the large clumps of hanging seeds that can be found on ash trees, the dark bobbles along the boughs of larches and the vivid red branches of dogwood. There is another delightful clue with dogwood – the buds have two tiny prongs that look a little like Viking helmets. I had no idea that looking at the buds of a tree could help so much when trying to identify it. Hopefully I’ll start to notice these clues more often when I’m out and finally begin to recognise some British trees.

We headed into the open and followed a path that threaded up a hill, giving us a great vantage point over the countryside. A skylark swept across the sky, flying in large undulating dips before settling on the grass. I saw my first cherry blossom of the year: a stunning spray of white blooms that had attracted the attention of dozens of bees. We stood quietly and listened to the steady, buzzing drone as the bees threaded their way between the flowers in search for pollen – an indisputable sound of spring.

Further down the hill we were just inspecting what we thought was a beech tree when I glanced up and saw a red kite wheeling overhead. We took it in turns watching through the binoculars. It was fascinating to observe the bird’s flight pattern – it moved across the sky in gentle loop-the-loops, following the shape of a tightly coiled telephone cord, all while barely flapping its wings. Its red feathers looked magnificent in the sun, its forked tail silhouetted against the sky.

After the kite had drifted out of sight, we heard a soft clicking noise coming from a nearby evergreen. I started scanning the branches for birds, but Chloé told me that the noise was in fact the pinecones cracking open. It was a surreal sound that I couldn’t quite believe at first. Having always assumed that pinecones opened gradually like flower petals, it was incredible to actually hear them popping as they dispersed their seeds. Apparently, the scales of seed-bearing pinecones flex in response to changes in humidity. When it is warm and dry like it was yesterday, they pop open. In cool, damp conditions, they close up. I found this absolutely fascinating.

Further on through the park we came across my first butterfly of the year: a stunning comma basking in the sun. With unusual, scalloped edges to its wings, the comma is a master of camouflage, using its mottled colouring to blend seamlessly into dead leaf litter. Its larvae are equally well disguised, with brown and white flecked markings that give them the appearance of bird droppings. This individual was lounging on a leaf with barely a twitch of its wings, allowing us to get lots of photos and observe its beautiful markings up close. Its furry body almost looked iridescent in the sun. After a while it turned round, positioned its rear end over the edge of its perch and released a small black blob before settling again. This was another first, not just of the year but also of my life: watching a butterfly poo!

Eventually the comma took to the air and fluttered up into the sky. The shadows were lengthening and the warmth was slowly ebbing from the afternoon, so we began to loop back through the park towards Chloé’s house. It was so refreshing to be able to exchange wildlife knowledge with someone. I pointed out birdsong while Chloé helped me with trees. It really is true that walking outside is a form of natural therapy. When I returned home I was inspired to write and reflect on the day. I’ve also been motivated to start up painting again, after seeing some of Chloé’s work. I dug out my watercolours and acrylics and can’t wait to get back outside while spring is here in full force.

Golden Hour

February 11, 2019February 10, 2019 | Rebecca Gibson

The light was still faint as I drove through fields of green. Cars tore past in a work-fuelled rush, while I cruised leisurely in the opposite direction. My focus was on the forest today – my only objective to walk through trees and listen to wild sounds.

A flash of copper caught my eye and a stunning red kite appeared in the sky, wheeling over the rolling hill as it hunted for unsuspecting mice. I pulled over in a layby – the mud sticky before the sun reached it – and spotted three more circling in large, overlapping loops. Occasionally there was a squabble, and two birds would tussle in the air, cascading downwards and surging back up. It was easy to forget that bounty hunters and egg collectors almost pushed the red kite to extinction only a few decades ago. Now, you could drive down most country roads in Hertfordshire and see at least one. I had never seen four so closely together, and savoured the opportunity to watch such an inspiring conservation success story in the flesh.

Soon the kites drifted further off, reduced to dark flecks in the sky. I left them to their hunt and drove on, arriving at the edge of the forest before anyone else that day. As lovely as dogs were, I didn’t need their boisterous presence this morning. I pulled on hat and gloves and slung camera and binoculars around my neck, then crossed the road towards the woods.

To my delight, the species I’d come to see was already here in abundance. Grazing in a field beside the cows was a herd of fallow deer around seventy-strong. I have always been fascinated by the variation in fallow deer pelts. When I first saw deer at this site, having previously seen photos of white-spotted Bambis, I had thought they were a different species altogether. These fallows were two-tone; dark brown on the top half and a lighter brown on the bottom half, as if they had waded flank-deep in mud. I hastily took to the cover of the trees, creeping as quietly as I could along the fence to get a closer look.

However, these deer were no fools. The next time I stopped and snuck a look through the binoculars, there were several faces turned my way, ears pricked upwards and eyes gazing down the lenses. My cover was blown. I decided to carry on with my approach, heading diagonally and pausing behind each tree. Ears twitched, and after a few more moments of studying me, the herd moved off, first at a trot then at a gentle canter. Among so many deer, there were only two males; as the herd bounded in loose procession across the field I watched two sets of antlers bobbing among dozens of ears.

I continued deeper into the forest, dulling the sound of passing cars with birdsong and wind-rustled leaves. The trees were gently swaying, creaking eerily like squeaky doors. The breeze played tricks on me, sending leaves skittering across my path in a perfect imitation of birds. The thrum of a woodpecker echoed through the cold air. A buzzard called faintly in the distance.

Suddenly there was an invasion of grey squirrels, bounding over the leaf litter and across fallen logs. Two of them darted in a reverse helter-skelter up a thick trunk, their claws scratching wildly in the chase. Another was saving his energy, choosing instead to perch and chew on a shrivelled leaf, twisting and turning it in his tiny hands.

I left the squirrels to their play and headed further along the fence, glancing between the trees to see if the deer might have come back. They hadn’t, but there was a sprinkling of brown birds foraging in the grass, dotted among the cows. For a few moments I couldn’t figure out what they were. Speckled like thrushes, but I’d never seen a large group of thrushes before. Just then the sun appeared, illuminating bright red patches on the birds’ sides. Redwings! My first this winter, and what a show. There were around forty of them, hopping around in the grass. They were too far away for a decent photo, but close enough to watch through the binoculars.

After a while, a startling screech made me jump. The only culprit I could think of was a barn owl, but I was sure they would have finished their night’s hunt by now. I followed the voice further down the trail. It was an ungainly, dinosaur-like squawk that sounded deafening in the tranquil forest. Suddenly, as I was scanning the canopy overhead, a crow-sized bird with white, brown and grey feathers shot out of the leafy cover. I hadn’t seen a jay once when I’d lived in Cumbria, so it had been about four years since my last sighting. I was desperate for a good photo of a jay but this one wouldn’t be cooperating. It darted from tree to tree, pausing only for a few hoarse shrieks before taking to the air again, soon disappearing completely from view. Undoubtedly the prettiest of the corvids, but not the sweetest singer.

Soon the forest was nearly silent again, with just the gusts of wind disturbing the trees. The morning was rolling on, and golden hour had arrived. Between breaks in the cloud, rich yellow light illuminated the trunks, throwing their gnarled, twisted bark into stark relief. It was a glimpse of magic that only lasted until a cloud muffled the sunlight and the forest fell back into shadow.

The cold was beginning to bite my fingertips, and I could already hear the first dog walkers. It was a good time to turn back. I made my way slowly through the woods, past the field and the squirrel tree, looking forward to warming up back home. I was just scanning the trees one last time for any small birds when my eye caught on two more pairs of ears sticking up. The deer were perfectly camouflaged, and after we stood watching each other for a few more moments, the doe stepped out from her hiding place and began picking her way through the foliage. The buck took one more look at me before following her, just as the sun emerged again and made their brown fur shine gold.

There was something undeniably magical about watching deer in a forest. They were elegant and beautiful animals, their habitat just as serene. As I stood watching them stride away out of sight, I felt a strong connection to the forest and the creatures that lived within it. Although I didn’t truly belong here, for just a few short hours I felt at home.

A Lensball Study

January 28, 2019 | Rebecca Gibson

As I briefly mentioned in my last post, I’ve recently been experimenting with the lensball, which is a simple and effective tool to give photos a new perspective. I tried it out in the garden first with mixed results, but once I ventured further from home and found more intriguing subjects to capture, I began to really see the appeal with lensballs. The following shots are my latest creations.

After spending far too much time on Photoshop – I never like to over-edit my wildlife photos as I think they look far better natural – I decided that a quick and easy way to remove my hand from the image was to take an additional photo of the scene out of focus, which provided the background to the final shot. Then I placed one image over the other and erased my hand. I think the pieces with slightly more complex backgrounds are more effective than those with a plain one such as the blue sky, which make the already obscure subject look perhaps a little too surreal.

I love seeing a whole new perspective through the lensball, and I can’t wait to continue exploring my natural surroundings with this additional piece of kit!

Looking Forward

January 11, 2019 | Rebecca Gibson

I am very enthusiastic about 2019, mostly because I’m not quite sure what it will bring. All I know for sure is that it will feature lots of writing. For quite a few years now, writing has been predominantly a side-project for me. I’ve always loved it, but unfortunately it hasn’t been my sole focus because of school, work and other commitments.

I began writing stories at a very young age. My mum would give me a title and leave the rest to me. She was always keen for me to be creative – providing inspiration and encouragement in the form of spelling rhymes, handwriting exercises and story prompts. Writing stories always featured heavily in my childhood and adolescence, but when I became an adult it didn’t occur to me to pursue it professionally. I have no idea why I thought this – perhaps I was distracted by other things or was always keen to keep learning new skills, but the idea of writing stories stayed at the back of my mind until the end of last year when it finally clicked. After weeks of refreshing job site pages and filling out application forms, I realised what I’d probably known subconsciously for years: that I want to be an author.

Probably the thing holding me back from pursuing a career as an author was my lack of technical knowledge. I had the drive to write – a constantly growing stack of full notebooks was proof of that – but I hadn’t learnt the techniques of story structure or character development yet. At the time of picking my A Levels, I wanted to study Biology because of its connection to wildlife and the natural world, and Photography and Spanish were my definitive other choices. As a result, I didn’t have space for English, so a lot of my writing is self-taught, from books I read and prompts I found for myself.

To learn more about the mechanics of writing – in particular writing novels – I recently enrolled in Masterclass: a series of online courses taught by experts in their fields. Gordon Ramsay teaches cooking, Serena Williams teaches tennis, and groundbreaking authors such as Margaret Attwood and James Patterson teach creative writing. It seemed like the perfect solution for me – learning and making notes at my own pace. I already had the passion to be an author, and now I’m using Masterclass to learn the tools that will help me develop my abilities further.

Alongside Masterclass, I’m making sure to continue my photography. For Christmas, I was given a “lensball”. For anyone who hasn’t seen these before, they are clear glass balls that can be used in photography to add a little refraction to the scene. I’m no expert yet, but if you align your camera so it’s level with the lensball, you can photograph the background within the ball, which brings some nifty new perspectives.

I tried out some shots in the garden earlier this week and discovered that it’s not as easy as it looks. You need to get the angle just right and – as always with macro photography – the focal point is key. These initial shots need a lot of improvement, but I already love what effects I can achieve with the lensball. Gardens don’t usually have the most groundbreaking scenery, so I’m looking forward to getting out in the wild to see what I can capture.

So, the aftermath of university didn’t quite go as I may have planned, but I feel so optimistic about where this year will take me. I want to give myself the time I need to throw myself into writing and stretch my skills further. I can’t wait to see where I will be this time next year.

2018 Wrapped Up

January 3, 2019December 24, 2019 | Rebecca Gibson

December was quite a dry month for me in terms of inspiration, so I apologise for the distinct lack of posts over the past few weeks. It is high time for some fresh writing, but before beginning anything new in 2019, I wanted to reflect on the progress I made in 2018.

Last year began with my first breakup. After having seen and spent time with a person almost every day and now suddenly being faced with the possibility of never seeing them again, I suffered quite a knock. My inspiration took a significant slump at a time when I needed it most: the launch of my final major assignment at university.

Determined not to let a relationship affect my work, I applied for a grant to help fund an expedition. I had a whacky idea about going to the Isles of Scilly, which at the time seemed a very far-off venture and logistically challenging to say the least. However, after presenting to a panel of judges I was granted enough money to completely cover travel and accommodation. It took a while to come to terms with the fact that the Scilly expedition was really happening.

It was just the solution I needed for my slump. Spending six days in near-complete wilderness with a list of images to take was a perfect and rewarding distraction. I was filled with exciting ideas for my project – a study on the rare and unique flora of Scilly, including the dwarf pansy which is the size of a baby fingernail and found nowhere else in the UK. I was so fascinated by Scilly’s diverse wildlife and intriguing ecosystems, and I never wanted the trip to end. It is a place I will now treasure, as it helped me through a very difficult time, not to mention providing a huge boost to my confidence. I had funded, planned and carried out a full expedition single-handedly, and returned with a great story to tell. Following the trip was my last exhibition at university, and my project was received well. I even made some money from my photographs, which was an unexpected bonus.

Before I knew it, it was time to finish my degree. I picked up my life in Cumbria and brought it back home to Hertfordshire, where I (foolishly) thought that I would land a job straight away. This wasn’t to be the case, but what followed instead was a truly life-changing experience: an internship in Florida.

I didn’t really know what to expect when I was invited for a two-month internship in America to work with SEZARC. I knew they worked with zoos to monitor their animals and help facilitate breeding, but I didn’t know where I would fit in with a media background. I went simply with the aim of learning as much as I could about a completely new field and enjoying the opportunity to contribute to wildlife conservation.

I’d never been abroad on my own before, nor had I been outside of Europe before. Upon arrival, I was hit by extreme panic triggered by a strange new place, having to drive a car in a strange new place, and the fear that this had all been a terrible mistake. However, after a very careful car journey from the airport and arriving unscathed at my accommodation, I was filled with perhaps a disproportionately large sense of achievement. My small victory spurred me on, and after a few more shaky days, I found my rhythm.

Two months later, I was torn between wanting to see my family and friends back home, and wanting to stay a little longer with my new friends in Florida. I had loved the work I did with SEZARC, which was varied and fascinating. I also fulfilled a dream of mine, even if just for a little while: I’d learned to ballroom dance, and met the most kind and welcoming people. Back home in England, I truly realised what an incredible time I’d had in America.

And it wasn’t over. Later in the autumn, I caught up with my friends at SEZARC and was asked to produce their annual report of their progress this year. It is work that I thoroughly enjoy, and I’m so pleased that SEZARC want to keep me involved.

So, moving forwards. The past year has taught me so much, not just about work but also about myself. In all honesty I have no idea what 2019 will bring. I’m hoping a job, but in the meantime I want to continue writing and learning new things (next up is the guitar!) I have the tendency of being anxious without a strategic plan, but after this year I’ve discovered that you just can’t know where twelve months will take you. A year ago today, I had no idea I would soon be journeying to America by myself, nor was I remotely aware that my relationship was about to end. All through school it’s easy to know what’s next: the following year up. There is no mystery, not even after you finish school. For me, the choice was easy and I was going to university. Now that’s over too, and I’m trying not to be daunted by the unknown because as I’ve found out this last year, the unknown can be incredible.

Waiting In Anticipation

December 3, 2018 | Rebecca Gibson

Winter is one of my favourite times of year. Not only is there the excitement of Christmas (which at 21 years old is still very important to me) and my birthday, but also the stunning beauty of nature. Frosts, snow, diluted sunshine – it’s a photographer’s dream. I cannot wait for the first real frost to arrive, when once again I’ll be rummaging around in the garden on my hands and knees clutching my trusty macro lens.

As winter approaches, there is always a rush of social media posts about visiting migrant birds. Stunning images of waxwings, redwings and fieldfare dominate the birdwatching online groups. While I love to see rare visitors in the UK, there are more common species coming to the fore during the colder seasons too.

The long-tailed tit is easily recognisable, with a tiny body and unnaturally long tail. These charismatic birds are nearly always seen in groups, and with a weight of less than 10 grams, sticking together can be a lifesaver in the winter months. As temperatures fall during the night, long-tailed tits roost together in large groups of related birds, lining up on branches and huddling for warmth. Long-tailed tits are particularly known for their altruistic behaviours. If one pair loses their eggs, they will help a relative raise theirs. This behaviour is known as cooperative breeding.

Another bird that is more prominent in winter, but far less endearing than the long-tailed tit, is the great black-backed gull. This formidable animal is bigger than a buzzard, and bad habits including stealing food from some birds and eating others has given this gull a bad reputation. Nonetheless, great black-backs are impressive to watch, and during the winter months they are drawn inland by swelling migrant populations. This means now is a good chance to see this amazing species up close.

One voice that sings long into winter is that of the robin. This plucky redbreast is often thought of as a winter bird, when it is found all year round but simply stays put when other birds migrate during the colder months. Despite their beautiful song, robins are fiercely territorial. Who can blame them, when food and shelter is so scarce during the winter? Perhaps the epitome of Christmas is seeing a plump robin perched on a berry- and snow-strewn branch. It may be a controversial opinion, but I can’t wait for the snow to come. Seeing how bitterly cold it’s been recently, hopefully the wait won’t be too long.