Month: November 2017

Northumberland: Day Three

| Rebecca Gibson

There was no frost today, but the sun was shining brightly and I knew the larches on the hills would be lit up like fiery beacons. We only had the morning, as we were leaving the bothy just after lunch, so first I headed out with Cain to pick up the camera traps. I was wrapped up in my fleece but was soon peeling layers off – the weather was surprisingly warm today with such bright sunshine and little wind.

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Just before we returned to the bothy to check the footage, Cain took me to see the huge troops of orange fungi up the hill by the clearing. I’d just been saying how little fungi I’d seen, but I was soon proved wrong when I saw how many there were up here. Sprinkled all the way along the track were small orange bulbs of every shape and size. Some were illuminated in patches of sunlight, which made their colours shine even brighter.

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As I was stooped on the ground photographing the fungi, I heard a bizarre sound that reminded me of an angry cat. I turned and saw the outer layer of trees swaying in the growing wind, releasing the most peculiar creaking noises. Cain explained how these trees would usually grow on the inside of the forest, but due to felling they were now on the outer layer and were struggling to cope with the battering elements. Some had already succumbed, and we passed gigantic trees lying flat on the forest floor, their roots larger than tractor wheels.

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Out in the open, the wind was a lot stronger, so we ducked back down and sought the shelter of the forest. We gathered everyone in the bothy and had a look to see if the traps had been successful. Sadly, the two I had put out only had footage of my bobble hat as I attached and detached the trap from its post. However, Cain had put one in the garden and this had filmed several clips of a bank vole darting in and out of the rock pile. Later in the night, a wood mouse joined the scene, distinguishable by its longer tail and much larger Mickey Mouse ears. So, the traps weren’t a complete disaster, but certainly no pine marten footage.

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Sightings

  • Bank vole – on camera trap (Myodes glareolus)
  • Chaffinch(Fringilla coelebs)
  • Kestrel(Falco tinnunculus)
  • Robin(Erithacus rubecula)
  • Wood mouse – on camera trap (Apodemus sylvaticus)

Northumberland: Day Two

| Rebecca Gibson

 

When I woke up the blinds were bright. I had a peek outside and was thrilled to see there was a frost clinging to the grass. I hurried into clothes and headed out into the garden. It had been a full year since my last frost and I was eager to capture some macro photos again. Leaves, twigs and thistles were all coated in a fine layer of silver crystals that, when hit by the sun, twinkled and shone like last night’s stars. Soon I had wet knees from crouching in the grass and the beginnings of a crick in my neck from getting as close as possible. My plan was to crop the photos in to create a repeating abstract texture. As usual, I took far more than I probably needed.

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After relaxing for a while in the bothy I headed out again, down one hill and up the next. I passed the tyre swing, but the lack of decent light meant the shots weren’t quite what I imagined. I knew I had to photograph the bright yellow and orange larches that had taken my breath away on the drive in yesterday. Unfortunately the sun that I’d wanted to shine was well and truly concealed behind thick clouds; the light was so diluted I could gaze in its direction without difficulty. However, when I began to shoot, the rusty warm hues still popped. I began to experiment with positioning individual subjects like stray grasses in front of the camera, so the trees bled together and created a vibrant background.

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The rest of the day was spent writing beside the fire and recording what I’d seen during the day. I had a sneaky look at my photos so far and was pleased with some of the outcomes. Hopefully there’d be more opportunities on our last day tomorrow.

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Sightings

  • Chaffinch (Fringilla coelebs)
  • Goldcrest (Regulus regulus)
  • Goldfinch (Carduelis carduelis)
  • Robin (Erithacus rubecula)

Northumberland: Day One

| Rebecca Gibson

We arrived at the bothy just as the sun was at its warmest. We were in the Northumberland National Park, and as the car rumbled up the hill I craned my neck to see the valley opening up into a patchwork blanket of green, orange and brown. It was autumn at its finest; an explosion of colour with just the right amount of chill in the air. On the way up to the bothy I spied an abandoned tyre swing, which would be a great accompaniment to the stories about childhood memories, so I made a mental note to return tomorrow.

After the customary dumping of the bags, I headed out with Cain and Lequane to set up two camera traps. With a new area, you never knew what could be roaming the forests; red squirrels, even a pine marten perhaps. We followed the burn down the hill, which was a thick sponge of fallen leaves. A dry stone wall ran parallel to the water, and I could just imagine small mammals darting along it, so set up the first trap looking out over the wall.

The light was fading, so we made our way along the burn with torchlight. The wall had collided with a tangle of sticks in one patch, perhaps a resting place for voles or mice. I set the second trap up with a viewpoint over the wall.

We made our way back up the road to the bothy, and were very surprised to see bats zooming around over our heads. Cain told us how it was very late in the year for bats, and they were perhaps roosting in or around the bothy. Cain’s sharp ears picked up a redwing calling in the distance, and then we heard a tawny owl very close by, so decided to pursue it into the cluster of trees behind the house. It was tantalizingly close and we searched the trees in the gathering gloom for any sign of it. No doubt the owl could see us perfectly and was watching with a combination of confusion and amusement, as it stopped calling as soon as we reached the trees and we didn’t hear it after that.

After taking shifts to cook our separate dinners, we had a look outside and there was a series of gasps and excitable shrieks when we all saw the night sky. I don’t think I’d ever seen so many stars – the sky was pitch black, with not a single lamppost or car light to spoil it. We all hurried inside to layer up and grab cameras, then broke off in different directions to get started. Some wandered up the hill and turned towards the Milky Way, while others stayed in the car park and began a time lapse of Orion’s Belt.

I hadn’t done a great deal of night photography, but I began to experiment and soon I found myself quite addicted to it, especially with such a beautiful and flawless background. The camera picked up millions more white pinpricks in the sky, and I was very pleased to find that I’d caught a shooting star in one image.

After an hour or so, my fingers had begun to grow numb, and I found myself capturing the same photos multiple times just because they were so beautiful. For the sake of my memory card, I headed back to the bothy to warm up and have a snack before bed.

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Sightings

  • Barn Owl (Tyto alba)
  • Chaffinch (Fringilla coelebs)
  • European Rabbit (Oryctolagus cuniculus)
  • Redwing – heard (Turdus iliacus)
  • Robin (Erithacus rubecula)
  • Soprano Pipistrelle (Pipistrellus pygmaeus)
  • Tawny Owl – heard (Strix aluco)

A Day in Newcastle

| Rebecca Gibson

I’ve been writing a lot recently. This week, when I went to Newcastle for an adventure, I decided to dedicate the day to photography.

Rebecca Gibson Newcastle Bridge Street
When you’re crossing the road and a good shot catches your eye
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A very vocal gull at the Quayside
Rebecca Gibson Newcastle Horse
Business open as usual
Rebecca Gibson Newcastle Alley
Quaint cut-throughs
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Working up an appetite – this bundle of heaven was butternut squash and halloumi
Rebecca Gibson Laing Art
“Isabella and the Pot of Basil” by William Holman Hunt. Here’s poor Isabella cradling a pot containing the head of her lover Lorenzo, who was murdered by her two evil brothers.
Rebecca Gibson Stain Glass
Late afternoon miracles
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Wandering down winding streets
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Having a drink at the cat cafe
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The sun sets over Newcastle

The Beginnings of Winter

| Rebecca Gibson

Before I’d even got to the hide there was a chirruping in the bushes and I turned to see a group of juvenile yellowhammers mobbing their parents, hopping between branches for attention. Three birds flew past overhead and I caught the triangular shape of starling wings as they soared over me.

The lake was quiet – a pair of mallards floated in circles on the far side, while mute swans waddled along the bank. Once I was settled inside, they appeared by the feeders, accompanied by the juvenile swans I’d seen last time. The whole family loitered beneath the swinging seed canisters, mopping up anything dropped.

The feeders themselves were a flurry of activity. As usual, the nearby bushes were full of house sparrows, fighting to snatch a mouthful. Blue tits and great tits waited in the queue and I was particularly excited to see a lone greenfinch among the group too; back home in Hertfordshire these birds are becoming scarcer and scarcer.

After watching the birds feed for a while, I wandered on. It was a lot colder than usual – dew covered the grass but it wasn’t quite cold enough to freeze it, though perhaps this may soon be the case on early mornings. There were other signs of winter too; bursts of red berries and a fat robin perched on the fence. Even though these birds are around all year, somehow a day in early winter feels like Christmas is a lot closer when you spot one.

As I made my way to the wood the only sound was the usual “whizz-burr” of the turbines as they swung. There was a break in the clouds and beautiful streaks of sunlight shone through at jaunty angles. The forest was gloomy but still inviting, and as I walked round I scanned both sides of the path to see if any fungi were sprouting up. The ground was boggy in places, and when drops of water fell in the puddles, the reflected trees twitched.

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Suddenly, just as I was looping back round to the gate, a woodpigeon exploded out of the trees and made me jump a mile. Why do pigeons love doing this? It must give them a wicked satisfaction to see me clutch my chest and try to get my breath back to normal.

Once I was back in the open, the chill was even stronger. I wrapped my coat tighter around myself and hurried back to the cafe to warm up.

 

I Need Your Help!

| Rebecca Gibson

If you’re from the UK and have stories to tell about forests, I’d love to hear from you!

I’m writing an article about what forests mean to different people, and would love to include some personal stories about wildlife, family memories or anything in between. If you could take a few minutes to complete my survey, I’d be so grateful.

Click here to see the survey!

A Day in the Fells

| Rebecca Gibson

As we turned into the car park at Honister Pass, the clouds were grumbling. Geoff Cox appeared and shook my hand in greeting, with the same kindliness he might offer to his closest friend. Having roamed the fells since childhood, the bracing chill and spattering rain are all too familiar to him. A gust of wind blew me sideways as I struggled to catch the flyaway sleeve of my coat and hastily zip it up. Pulling a hat firmly down on my head, I gazed up at the fells. The day was bleak, and an ominous mist obscured the tops of the hills, which would provide a dramatic background for filming.

Today marked the penultimate day of shooting for the second documentary about Geoff’s experiences as a fell runner. During his sixtieth year he attempted to run three notorious Lake District endurance-running rounds: in the Joss Naylor Lakeland Challenge and Gerry Charnley he was successful, but the Bob Graham round defeated him. The film we’d be shooting today was a reflection of this unsuccessful round, and how Geoff found redemption to complete the Charnley. Geoff wrote poems about each round to process these challenging ordeals, and approached filmmaker Richard Berry to transform his words into films. Today, I was joining them to see what happened behind the scenes.

We set off, following Geoff and the other endurance runners up the first incline. Before long it became evident just how comfortable they were on this terrain; while I took my time negotiating uneven and slippy rocks, the rest of the group hiked with confidence and admirable swiftness. As we climbed higher, I was told that the views up here were usually breathtaking, but the fog hung over the entire horizon like an impenetrable curtain. We were completely enclosed, walking along a single clear track with white walls on all sides. “Drifting in the Skiddaw mist”, Geoff wrote in his poem; how apt this line was today.

Now 62, Geoff has been fell running for decades, and can’t remember a specific time when this habit became a continuous routine in his life. “Work and family pressures meant I needed a sport I could focus on which didn’t need other people,” Geoff explained, “With running I could drop everything and go anytime, day or night.”

Fell running in the wilderness of the Lake District is a lonely and secluded past time, something Geoff often welcomes. “I needed a place where I could have a bit of ‘me time’. Society seems to look upon somebody who needs these extended periods of time in isolation as strange and even a bit weird. Long days running in the hills gave me what I needed; something about the independence and self-sufficiency was very appealing.”

In a few hours we reached the right place to begin the day’s filming. Director Richard and camera operator Kerr McNicoll set up and before long shooting was in full swing. Agile as mountain goats, the runners cascaded down the rocky slopes with impressive assertiveness. Surrounded by the silent fells, the only sounds were the cracking of the colliding rocks and soft squelch of mud as feet drove through. Puffs of breath spilled into the sky, and as the runners headed further off, the mist soon swallowed them.

“And again!” Richard shouted, the echo of his words bouncing for miles. After a few moments, the group appeared again. From this distance they looked like small dashes of coloured paint on a white page – the only distinguishable features of the landscape. They looped around a small lake, reflections bouncing on the water. After several takes of this shot it was time for cake – a delicious fruitcake made by Jim, one of the runners. This burst of energy was welcomed with open arms, and once Richard had filmed Geoff scaling a large rocky outcrop on his gimbal, we began to snake back through the fells, gathering footage on the way and constantly referring to Geoff’s poems to capture the essence of his experiences and narrative.

Writing poetry has helped Geoff to process the challenges and obstacles associated with endurance running. “I started writing poetry as a way of processing the mental and emotional garbage floating around in my head, or ‘mental detritus’ as I call it. Prose didn’t work because it has the wrong rhythm. Poetry allowed me to talk about what I’m thinking and meant that I could introduce the pace and metre that matched my memories.”

One of these memories took the form of white theatrical masks, worn by three of the runners looking over their shoulders at Geoff while he hung back, exhausted and near defeat. It was an intriguing idea and as we walked back through the fells I asked Geoff why he decided to include masks in the film. “They’re a symbol of how small doubts kick in and grow more insistent as the run goes on” he explained, “So we made them progressively more obvious throughout. ” This feeling of doubt was linked to people coming out to support Geoff while he competes and the pressure of not letting them down, a burden that can hang heavy on a runner under such physical and emotional strain.

I was astonished to hear that the masks were also a representation of hallucinations that Geoff said will be very familiar to long distance fell runners out on the hills for 24 hours or more. This “sleep monster” phenomenon is a result of exhaustion and sleep deprivation. “My particular version seems to be that I find myself running across strips of beautifully patterned Axminster carpet” Geoff told me, “All the time I’m thinking ‘It’s amazing that somebody has been up here and laid this carpet across these mountains!’”

Fell running in the Lake District is not for the faint-hearted. Unpredictable weather, unforgiving terrain, and a vast secluded landscape, and all with a burning in your legs. Even today, after walking seven miles, I returned to the warm café with aching knees. Geoff has proven that age is no match for will and determination, and is continuously training for new rounds to run. For him, fell running is more than exercise but a way of managing stress and even inspiring poetry. Spending time with him and the other runners opened my eyes to a life spent high above the ground, where so few people think to look.