weather

The Freeze

| Rebecca Gibson

The snow was here again. It descended from the skies in heavy drifts, flakes swirling as they came to rest. All through the night the snow fell, dramatically silent, and when morning came everything was smothered in pristine white icing: irresistible.

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Outside there was a chill that tightened the lungs, so cold was the air that even breathing in felt like getting smothered in snow. Each branch was cloaked, giving the impression of an overly enthusiastic artist splashing every bough with thick white highlights. Undisturbed snow on the sides of the track glistened, catching the light and sparkling with wintery luminescence. On the cusp of March, it was more of a spring wonderland than a winter one, and yet it could have easily been Christmas morning.

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Up in the trees, a whisper of falling snow betrayed the presence of a blackbird, sending tremors up the branch that dislodged loose flakes. A male, black feathers stark against his festive background, spotted with rich red berries and the undersides of dark leaves. He chirruped softly, his song more melancholy than it should be.

A man passed me on his bicycle, his tyres crackling like static feedback that faded as he disappeared. The landscape quietened again, a deafening silence only found with snow, when the world stops and waits with baited breath for this unexpected phenomenon to pass. It is a time when even nature stands still. Water is stopped in its tracks, defiant of gravity’s pull.

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Sloping down the bank to the river was a series of deep tracks, dogs mingled with hopping birds. The ever-falling snow began to repair the damage, forming undulations of half-hidden footsteps with softened edges. A wren sped past, trilling its bold song that seemed too big for its tiny lungs. What must the birds think? Have they anticipated this, read some sign in the climate to help soften the blow? The already challenging task of finding food in winter just became more trying, a test of strength and endurance in such temperatures.

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After a while my feet began to grow numb and my stomach rumbled. As I trudged back up the track, curving away from the coursing, white-framed river, I thought how I would snuggle up in my warm house with something to eat. I glanced back over my shoulder and saw a song thrush foraging. It had a snail pinned in its beak, and was cracking the shell hard on a rock. Such work the birds put in, when all I needed to do was open a can of soup and I’d be warm.

Back at the house, I peered outside and saw the feeder swinging empty again. Thinking of the blackbird, wren and diligent thrush, I hurried into the garden and replenished the feeder with rich fatty seeds, sprinkling some on the ground for those too heavy or timid to feed from the plastic perches. The birds needed all the help they could get.

The Beginnings of Winter

| Rebecca Gibson

Before I’d even got to the hide there was a chirruping in the bushes and I turned to see a group of juvenile yellowhammers mobbing their parents, hopping between branches for attention. Three birds flew past overhead and I caught the triangular shape of starling wings as they soared over me.

The lake was quiet – a pair of mallards floated in circles on the far side, while mute swans waddled along the bank. Once I was settled inside, they appeared by the feeders, accompanied by the juvenile swans I’d seen last time. The whole family loitered beneath the swinging seed canisters, mopping up anything dropped.

The feeders themselves were a flurry of activity. As usual, the nearby bushes were full of house sparrows, fighting to snatch a mouthful. Blue tits and great tits waited in the queue and I was particularly excited to see a lone greenfinch among the group too; back home in Hertfordshire these birds are becoming scarcer and scarcer.

After watching the birds feed for a while, I wandered on. It was a lot colder than usual – dew covered the grass but it wasn’t quite cold enough to freeze it, though perhaps this may soon be the case on early mornings. There were other signs of winter too; bursts of red berries and a fat robin perched on the fence. Even though these birds are around all year, somehow a day in early winter feels like Christmas is a lot closer when you spot one.

As I made my way to the wood the only sound was the usual “whizz-burr” of the turbines as they swung. There was a break in the clouds and beautiful streaks of sunlight shone through at jaunty angles. The forest was gloomy but still inviting, and as I walked round I scanned both sides of the path to see if any fungi were sprouting up. The ground was boggy in places, and when drops of water fell in the puddles, the reflected trees twitched.

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Suddenly, just as I was looping back round to the gate, a woodpigeon exploded out of the trees and made me jump a mile. Why do pigeons love doing this? It must give them a wicked satisfaction to see me clutch my chest and try to get my breath back to normal.

Once I was back in the open, the chill was even stronger. I wrapped my coat tighter around myself and hurried back to the cafe to warm up.

 

A Day in the Fells

| Rebecca Gibson

As we turned into the car park at Honister Pass, the clouds were grumbling. Geoff Cox appeared and shook my hand in greeting, with the same kindliness he might offer to his closest friend. Having roamed the fells since childhood, the bracing chill and spattering rain are all too familiar to him. A gust of wind blew me sideways as I struggled to catch the flyaway sleeve of my coat and hastily zip it up. Pulling a hat firmly down on my head, I gazed up at the fells. The day was bleak, and an ominous mist obscured the tops of the hills, which would provide a dramatic background for filming.

Today marked the penultimate day of shooting for the second documentary about Geoff’s experiences as a fell runner. During his sixtieth year he attempted to run three notorious Lake District endurance-running rounds: in the Joss Naylor Lakeland Challenge and Gerry Charnley he was successful, but the Bob Graham round defeated him. The film we’d be shooting today was a reflection of this unsuccessful round, and how Geoff found redemption to complete the Charnley. Geoff wrote poems about each round to process these challenging ordeals, and approached filmmaker Richard Berry to transform his words into films. Today, I was joining them to see what happened behind the scenes.

We set off, following Geoff and the other endurance runners up the first incline. Before long it became evident just how comfortable they were on this terrain; while I took my time negotiating uneven and slippy rocks, the rest of the group hiked with confidence and admirable swiftness. As we climbed higher, I was told that the views up here were usually breathtaking, but the fog hung over the entire horizon like an impenetrable curtain. We were completely enclosed, walking along a single clear track with white walls on all sides. “Drifting in the Skiddaw mist”, Geoff wrote in his poem; how apt this line was today.

Now 62, Geoff has been fell running for decades, and can’t remember a specific time when this habit became a continuous routine in his life. “Work and family pressures meant I needed a sport I could focus on which didn’t need other people,” Geoff explained, “With running I could drop everything and go anytime, day or night.”

Fell running in the wilderness of the Lake District is a lonely and secluded past time, something Geoff often welcomes. “I needed a place where I could have a bit of ‘me time’. Society seems to look upon somebody who needs these extended periods of time in isolation as strange and even a bit weird. Long days running in the hills gave me what I needed; something about the independence and self-sufficiency was very appealing.”

In a few hours we reached the right place to begin the day’s filming. Director Richard and camera operator Kerr McNicoll set up and before long shooting was in full swing. Agile as mountain goats, the runners cascaded down the rocky slopes with impressive assertiveness. Surrounded by the silent fells, the only sounds were the cracking of the colliding rocks and soft squelch of mud as feet drove through. Puffs of breath spilled into the sky, and as the runners headed further off, the mist soon swallowed them.

“And again!” Richard shouted, the echo of his words bouncing for miles. After a few moments, the group appeared again. From this distance they looked like small dashes of coloured paint on a white page – the only distinguishable features of the landscape. They looped around a small lake, reflections bouncing on the water. After several takes of this shot it was time for cake – a delicious fruitcake made by Jim, one of the runners. This burst of energy was welcomed with open arms, and once Richard had filmed Geoff scaling a large rocky outcrop on his gimbal, we began to snake back through the fells, gathering footage on the way and constantly referring to Geoff’s poems to capture the essence of his experiences and narrative.

Writing poetry has helped Geoff to process the challenges and obstacles associated with endurance running. “I started writing poetry as a way of processing the mental and emotional garbage floating around in my head, or ‘mental detritus’ as I call it. Prose didn’t work because it has the wrong rhythm. Poetry allowed me to talk about what I’m thinking and meant that I could introduce the pace and metre that matched my memories.”

One of these memories took the form of white theatrical masks, worn by three of the runners looking over their shoulders at Geoff while he hung back, exhausted and near defeat. It was an intriguing idea and as we walked back through the fells I asked Geoff why he decided to include masks in the film. “They’re a symbol of how small doubts kick in and grow more insistent as the run goes on” he explained, “So we made them progressively more obvious throughout. ” This feeling of doubt was linked to people coming out to support Geoff while he competes and the pressure of not letting them down, a burden that can hang heavy on a runner under such physical and emotional strain.

I was astonished to hear that the masks were also a representation of hallucinations that Geoff said will be very familiar to long distance fell runners out on the hills for 24 hours or more. This “sleep monster” phenomenon is a result of exhaustion and sleep deprivation. “My particular version seems to be that I find myself running across strips of beautifully patterned Axminster carpet” Geoff told me, “All the time I’m thinking ‘It’s amazing that somebody has been up here and laid this carpet across these mountains!’”

Fell running in the Lake District is not for the faint-hearted. Unpredictable weather, unforgiving terrain, and a vast secluded landscape, and all with a burning in your legs. Even today, after walking seven miles, I returned to the warm café with aching knees. Geoff has proven that age is no match for will and determination, and is continuously training for new rounds to run. For him, fell running is more than exercise but a way of managing stress and even inspiring poetry. Spending time with him and the other runners opened my eyes to a life spent high above the ground, where so few people think to look.

Red Morning Ophelia’s Warning

| Rebecca Gibson

Every morning when I wake up, I trudge to the window and peek outside at the weather. When I did this on Monday, the world was in sepia. A bizarre, yellow hue covered buildings, cars and streets. My sleep-fuddled mind thought perhaps the world was finally coming to an end; Earth had reached the end of her tether with the deadly human virus and was expelling us once and for all.

On my way to uni, I half-expected to see zombies staggering around. It was 9:30am, but the sun was nowhere to be seen. In the canteen all I could hear was talk of the sky and how long we all had left to live. This carried on for some time, until eventually the sky turned blue again. Strangely, the day turned into a beautiful one, and by the time I was walking home it was the warmest October afternoon in a while.

As many people soon realised, the cause of the red sun and yellow sky was Hurricane Ophelia, making her presence known everywhere possible by pulling with her a torrent of dust and tropical air from the Sahara. According to BBC weatherman Simon King, these clouds of dust meant shorter wavelengths of blue light were scattered, giving the sun its red hue.

That wasn’t all in Monday’s sky cocktail. According to the Met Office, the “vast majority” of the dust was an accumulation of debris from forest fires in Spain and Portugal, hitching a ride with Ophelia and spreading north.

So not quite the apocalypse that most of Twitter was anticipating, but the truth is terrifying enough. Hundreds of people have been sharing photos of the red sun and commenting on the weird and whacky events, but the cause of this phenomenon was a hurricane that has claimed three lives and left nearly 400,000 homes without power or running water… and that’s just in Ireland.

It’s easy to forget how devastating natural events like hurricanes are when they’re hitting thousands of miles away. But the aftermath of this storm is still very much a threat in the UK too. The damage that this hurricane, and that of Irma, Jose, and all the countless others should not be shrugged off as a pretty and peculiar occurrence.

“Drip Drip Drop Little June Downpours”

| Rebecca Gibson

After staying indoors for several days straight – as a result of both the drizzly weather and the editing I needed to do – Kerr and I decided we should brave the rain and go for a walk somewhere. Naturally, we chose to go to the beach, specifically Bowness on Solway only half an hour’s drive away.

Upon arrival the heavens opened and we sat in the car watching the rain cascade down in thick sheets. It wasn’t your conventional beach weather, but we were determined to get at least a few decent photos. It was the sort of downpour that could only last a few moments – or so we told ourselves – and sure enough it soon eased to a patient drizzle. After donning waterproofs and fitting camera lenses we gingerly left the car and headed down to the sand.

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We were greeted by a blanket of cheerful pink thrift (Armeria maritima), a wildflower that’s commonly found in coastal areas and salt marshes. They were in their prime, brightening up the otherwise gloomy landscape.

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Hopping off the grassy bank, I made my way across the beach. The tide was far out, uncovering a series of footprints and other treasures from the sea. A grey heron (Ardea cinerea) stood motionless in the shallows, dipping its head to watch for a passing meal. I edged closer and photographed it for a while, finding the dramatic silhouette hard to resist. With obviously no luck stood where it was, the heron took to the air and flew off, gangly legs hanging awkwardly below its body.

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With the heron gone the beach was still again. In the gloomy evening light the scene was eerie. The length of the beach was largely empty, aside from some stray driftwood and discarded seaweed. I stood still and watched the rain fall, hitting the damp sand in heavy drops. After a few busy weeks, it felt good to let time stop for a while.

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