observation

Nature Journal

| Rebecca Gibson

I can’t believe I’m already two assignments into my master’s degree. Both have been based around the theme of “Writing in the Field” – writing outside as opposed to a typical office environment. This was really useful for me, as up until now I’ve mostly written brief notes outside and then typed them up later at my desk. While this worked for jogging memories, it occurred to me that I was losing out on a lot of detail this way. Photos reminded me of things I saw, but I was glossing over other sensations such as smells, sounds and textures. By paying attention to these senses I found I could create a fuller, more immersive piece of writing that really put the reader in the field with me.

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Inspiration for a fantasy fiction piece

For my first assignment I decided to start a nature journal that I planned to take with me whenever I was out in nature. This would be the basis for my essay in the first assignment. During my research I discovered that many writers use journals to enhance their writing experience. Charles Darwin kept perhaps the most well known example during his voyages on H.M.S Beagle but there are numerous others. Author and artist John Muir Laws said that “journaling will slow you down and make you stop and look.” American author and scientist Aldo Leopold’s nature journals were so significant that the resulting essays became valuable contributions to the field of phenology – the study of seasonal natural phenomena. I also found several studies indicating that being outside is beneficial to creativity, so it made sense to do more writing outdoors!

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An illustration for a piece of scientific writing about roe deer

I found that my nature journal not only benefitted my writing but also enabled me to concentrate more on my art. I was keen to make the pages pretty and yearned to have a journal that would be cool enough for Pinterest. I’ve always loved drawing and painting but it’s often taken a back seat. My usual excuse is that I have no time, but over the past few weeks I’ve started to create quite a large body of work just by snatching a few minutes here and there to make a sketch. I bought a travel watercolour palette with a brush containing its own water which has been a lifesaver. Now I can pop my paints in my bag and take them anywhere, and I’ve really got on well with it so far. I deliberately bought a journal with a ring binder, so I can remove and insert the hole punched pages wherever I want them. A lot of my conventional notebooks have failed so I think having the freedom to go back and add pages in later has helped to keep the creative flow going.

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Burghead Harbour, the scene of a reflective piece about night walks

Writing and illustration go well together, so I decided to create a small drawing or painting for each piece in my second assignment – a portfolio of nature and travel writing from the field. I’ve loved setting art projects for myself again, which I haven’t done since school. Not only does it bring some variety to my writing, but it’s enhanced my observational skills by forcing me to note the fine details of my environment. I’m really looking forward to seeing how my nature journal progresses and I hope I can maintain it until the end of my course and beyond!

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A worm’s eye view to illustrate a sci-fi fiction piece

Stop and Look

| Rebecca Gibson

In our bittersweet digital age, it’s so easy to be lazy. As a photographer who has tried using film but undoubtedly prefers shooting digital, I have the ability to take thousands of photos of the same thing if I want to. Once I have a camera and hard drive, there are no other essential expenses or materials required. While I personally didn’t enjoy the process of developing film, I commend those who gather all that equipment and spend hours in the darkroom bringing their images to life. I’ll admit it is dedication beyond what a lot of digital photographers put in.

It got me thinking how I can see more when I explore my surroundings. I often leave my camera at home and just watch for a change, no longer distracted by adjusting settings and looking at yet another screen. But I still want a permanent memory of what I discover. An answer to this that I am trying to introduce into my routine is drawing.

I’ve always enjoyed art but never possessed any genuine talent for it, which is perhaps why it never became more than an occasional hobby. Whenever I see someone drawing or painting I feel an overwhelming urge to join in. I could do this at any time and yet never do. What starts as an “inspiring new project” eventually fades into a half-full notebook.

I was in Tampa this weekend visiting the Florida Aquarium, and I packed my (so far untouched) sketchbook and pens on a whim. On the first evening, I wandered along the riverside just as the sun was setting. Across the water I noticed an incredible building with bulb-like turrets and crescent moon decorations. It looked like an Indian temple; I had no idea what it really was but I retrieved my sketchbook and began to draw it.

Twenty minutes later I had drawn my impression of the scene: the turrets, a large gathering of palm trees and the restaurant in the foreground. During this time three different people approached and asked me about what I was doing. Copying as closely as I could provided an opportunity to observe a level of detail that is far harder to notice when taking photos. I finished with something I was quite proud of, not to mention a talking point with passers-by and a souvenir of my evening.

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I later discovered that the exotic building was the Henry B. Plant Museum. I was somewhat disappointed to find out that it wasn’t a museum full of plants as I had originally thought.