Fancy Ceilings

I arrived at El Rastro flea market while the traders were just finishing setting up. It was the place to be in Madrid on a Sunday morning: before long the streets would be crawling with people, including pickpockets. I avoided the upcoming crush nicely and browsed at ease without having to clutch my bag too tightly.

It was very similar to Camden market; in fact some of the floral dresses and pendant necklaces were identical. There were also plenty of trademark Spanish items such as flamenco dresses and more fans than you could shake a stick at. Luckily there were some lovely items amongst the kitsch. I bought a silver-plated necklace with two inset pieces of labradorite, my favourite crystal. I indulged in a few beaded bracelets (a holiday tradition of mine) and found some other small gifts to take back home.

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Once I’d done most of the circuit, the sun had cleared the surrounding buildings and the crowds had visibly swelled, so I decided to make my escape. I dropped into 100 Montaditos for lunch where tapas only cost 1€ each. I had adorable little mini brioche buns stuffed with potato omelette and hard-boiled eggs. The place had quite a rotary feel about it; orders were placed and paid for at the bar and food was called out over a microphone for diners to come and collect. Situated so close to El Rastro, I guessed that they were accustomed to being full to the rafters after the morning’s shop and thrived on efficiency. It wasn’t the place to relax but the food was good.

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Street art on the walk down to El Rastro

Later I ventured back past the Palacio Real and found there was no queue so I made use of the opportunity and paid for entry. I’ve never been overly fascinated by royals so for me it was more the case of ticking a box, but the interior was as stunning and regal as one would expect. I particularly enjoyed the Carlos III Chamber of Gasparini room, which was where the king performed the ceremony of getting dressed. It was designed by Matteo Gasparini in the Rococo style of ornamental and extravagant three-dimensional decoration. I wasn’t allowed to take photos in that particular room but there was a dramatic contrast between black, swirling filigree detailing and paler sections. It was far more gothic than a lot of the palace’s other rooms, where gold ceilings and weighty chandeliers took precedence.

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The ceiling over the staircase

After getting my fill of royal luxury I continued along Calle de Bailén to La Basilica Grande de San Francisco to see a particularly lavish dome ceiling, but unfortunately the gates were locked and the doors shut. I’d checked the opening times beforehand but perhaps as it was Sunday, an unexpected religious ceremony had come up. I was pretty worn out anyway, so after a stop off at a bar for another granizado de limón I headed back to the hotel to freshen up before returning to Tapa Tapa for dinner, which had become my favourite eatery in Madrid. This time, as well as the langoustines, I had a portion of fried squid with its ink and salad made up of seafood, avocado and chopped mango. Once again, it was all delicious. I particularly liked Tapa Tapa because despite offering a wide range of choices, they seemed to excel at them all whether you chose seafood, bocadillos or vegetarian options.

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Seafood salad and langoustine skewers
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Fried squid with its ink

I thought about going for a spot of shopping while the air was cooler, but once I’d paid the bill and left the restaurant I was met by a raging thunderstorm. Obviously even Madrid had a temperature limit and as I huddled with other diners watching the rain thrum wildly on the pavement, a stream already gathering strength in the gutter, I hoped the storm would crack the enduring heat.

I decided against shopping, and when there was a slight lull in the onslaught, I made a dash back to Calle Mayor and watched the rest of the storm indoors.

Inspired by a Blowfish

Last weekend I stayed with my grandmother at her lovely house in Frome, Somerset. I love my mini holidays there; my bedroom window overlooks a meandering river, and on the other side is a bustling market and a glimpse of the library through the overhanging trees. I was particularly excited on Saturday morning to discover there was a Christmas fair in full swing. There’s nothing like a fair in late November to get you in the mood for Christmas. Although I still refuse to play festive music before December, a sprinkling of Christmas spirit is more than welcome, especially in such bitterly cold weather.

Once inside, we joined the throng. Shoppers shuffled along tables laden with all sorts of gifts and bric-a-brac. The Cats’ Protection were selling cat-themed stationary, while a young man at the Somerset Wildlife Trust stand was doing his best to sell membership to a middle-aged woman whose attention was slowly waning. I am a firm supporter of the Wildlife Trusts, but membership recruiters have a way of pulling you in for a short (thirty minute) chat and not letting go. Past experience taught me to avoid his gaze, and I spotted the table I’m always searching for: the one covered in books.

As always, there was a decent selection of dog-eared Maeve Binchy and Danielle Steel paperbacks, but amongst covers showing watercolour landscapes and female silhouettes staring wistfully into the distance was the tail of a fish. I tugged at the fish and my eyes fell on beautiful line drawings of an octopus, jellyfish, seahorses and more. It was such a satisfying cover, and the book was called “Blowfish’s Oceanopedia”. It was one of those dip-in books with titbit information: “extraordinary things you didn’t know about the sea”, it said. As a person who is fascinated by the sea but doesn’t really know anything worthwhile about it, it seemed the perfect read for me.

The price was even better. A brand new book, published last year at £17.99, and I was charged a pound for it. Books were amazing, but books for a pound were magical.

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After finishing my loop of the fair – and winning a raffle Christmas present in the process – I returned to my grandmother’s house and instantly curled up in my favourite chair to begin reading. Within minutes I’d learned a decent thing or two about elephant seals. I am quite terrified of elephant seals, but as with my similar unease towards snakes and sharks, I’m also fascinated by them. The Blowfish revealed just how important the southern elephant seal’s “trunk” was to its survival. During the breeding season, males weighing up to 4 tonnes battle it out to win ownership of the harem of females. Understandably, this is a full time job, and prevents males from returning to the water to feed and drink. So, to avoid dangerous dehydration, males use the complex nasal passages and specialised blood vessels in their fleshy trunks to recover around 70% of the water vapour in their exhaled air. It’s a genius example of life-saving recycling.

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This is the sort of book I dream of someday replicating; an instrument to share my knowledge and passion with like-minded people. At the moment I’m not an expert in any one field, but the idea of spending decades of your life learning about something and then teaching others in the form of writing is, to me, the perfect way to preserve your work.

The Blowfish, also known as Tom Hird, is a marine biologist who has a deep love for the ocean and life within it. He’s the perfect voice for a potentially complex subject matter, using humour and everyday situations to diffuse a tricky concept. Speaking in the same language as the layman is something some scientists find extremely challenging. I’m certainly not a marine biologist, but nor am I completely naïve to the science of the natural world, so I often feel my combination of knowledge gives me an advantage. I can understand a lot (not all) of what scientists do, but I also appreciate how that needs to be adapted to inform the public without dumbing down and insulting them. I’m sure there are hundreds of published papers on the adaptations of southern elephant seals which required many hours of hard work, but to the average Joe wanting to find out something interesting about wildlife, a book like the Blowfish’s will be a much bigger success. I believe the key to nature writing, or any writing for that matter, is finding the balance between informing and entertaining. The Blowfish’s Oceanopedia has been a source of great inspiration to me – a writer hoping to one day publish books of my own. The passion and enthusiasm in the author’s prose is infectious, and makes me want to jump in the sea right now and see for myself everything he has had the opportunity to witness.