Literature

A Review of ‘Sky Dance’ by John D. Burns

| Rebecca Gibson

I discovered ‘Sky Dance’ while looking for non-fiction titles in the Scottish Interest section of my local Waterstones. In the past I have struggled to engage with a lot of rewilding books and often been intimidated by the political conflict. But after reading the blurb I realised that ‘Sky Dance’ was actually a novel. The story follows two hill walkers who get caught up in a row between conservationists and landowners about the reintroduction of lynx into Scotland. There is a fictional island called Morven and a landowner who ticks all the stereotype boxes of a tweed outfit, upper middle-class pomposity and a disregard for any animals besides grouse.

It is a strange book in many ways – especially the surprising ending – but I enjoyed the unorthodox approach. Acknowledging a potentially heavy topic such as rewilding through the medium of fiction was intriguing. ‘Sky Dance’ conveys important messages while remaining full of action. There are a few too many side stories which muddled the plot for me, but the main narrative about the lynx was an engaging one.

It would be fantastic if the reintroduction of a long-lost predator into Scotland could one day be a reality and not a piece of fiction. Burns explains that lynx would pose no danger to humans and only have a very low impact on livestock. If famers were compensated for these small losses then lynx would undoubtedly make a valuable contribution to the restoration of an unbalanced ecosystem that is currently overflowing with deer and damaged trees. Wolves and bears raise more difficult issues, but I believe lynx should definitely be brought back to the UK. John D. Burns paints quite a haunting picture of what the Scottish Highlands could look like if we started to reverse the damage we’ve caused by hunting apex predators to extinction.

Published in 2019, ‘Sky Dance’ is John D. Burns’s third book. He has spent over forty years climbing mountains and fifteen years writing. To hear more from John, visit his website for blogs and podcasts.

 

 

To Catch A Fly

| Rebecca Gibson

Fly agaric, or Amanita muscaria, is perhaps one of the most recognised mushrooms in the UK. It is often used as perching posts for pixies and gnomes in storybooks, and can regularly be seen bringing a spot of colour to the forest landscape. With its blood red cap and white spots, it’s almost unmistakable. Fly agaric can be found from late summer throughout winter, dotted around birch, spruce and pine trees.

As is often the case in the natural world, pretty means dangerous. With a name derived from its ability to kill flies, fly agaric has been widely used as an insecticide. It is a poisonous mushroom known for its hallucinogenic properties but, despite this, it has been a part of religious tradition for thousands of years. In Hindu practice, fly agaric was supposedly used to produce a psychedelic drink called soma, taken as part of religious ceremonies to increase one’s awareness and evoke sensations of bliss, poetic inspiration and even immortality. However, there has been disagreement among modern scholars over the exact ingredients in this psychoactive beverage. Soma has been described as containing a plant with leaves and flowers, contrast to fly agaric.

Elsewhere in ancient history, fly agaric was consumed in potion-form by Vikings in the 8th century, allowing them to fight in battles with increased frenzy. And of course, Alice used the mushroom to change her size in Wonderland, after being instructed to do so by a smoking caterpillar with a ‘languid, sleepy voice’.

Though perhaps this wouldn’t be the recommended theme in modern children’s literature, it shows that the mysterious fly agaric has woven a complex and intriguing story through the ages. Now, as autumn descends, the fungi season is in full swing. Fly agaric sits radiantly among more drab varieties of mushroom, its vibrant colour a dangerous lure. It is a specimen that has fascinated us for centuries, and will continue to intrigue long into the future.

IMG_1026-2

Eleanor Oliphant Is What We Need

| Rebecca Gibson

In 2017, 40-year-old author Gail Honeyman entered a story about a lonely and damaged young girl into a writing competition. Now winner of the Costa First Novel Award and scheduled to become Reese Witherspoon’s next film project, Eleanor Oliphant is Completely Fine has become a triumph for modern literature.

Our heroine, Eleanor, is evidently not at all fine. She often goes home from work on Friday and doesn’t speak to another person until she arrives at work on Monday morning. She is a source of amusement amongst her colleagues, and many modern advances are completely lost on her. “D’you like a smoky eye?” The makeup assistant at Bobbi Brown asks, to which Eleanor replies, “I don’t like anything to do with smoking.”

At the background of it all, her manipulative mother is an ominous presence looming at the end of the phone, hinting at a darkness in Eleanor’s past that may be the explanation for her isolation and uniqueness.

When Eleanor and Raymond, an IT consultant in her office, witness an elderly man falling unconscious in the street, an unlikely friendship begins to form between them. Somewhat hesitantly, Eleanor opens up to the possibility that people genuinely want to spend time with her, and with Raymond’s friendship comes a growing sense of self-assurance.

As we are introduced to Eleanor’s quirky persona, she initially appears very hostile to strangers and speaks her mind with seemingly no understanding of the consequences: “You’ll die years earlier than you would have otherwise, probably from cancer…you’ve already got the smoker’s characteristically dull, prematurely lined skin.” However, as we spend more time with Eleanor it becomes very clear that she has had nobody to help her align with societal norms – she was a confused child passed from carer to carer until university at seventeen. How can anybody blame her for reacting how many of us would were it not for our awareness of social politeness? Not only that, but being surrounded by unkindness and ridicule, it must be a natural reaction to close up and use that barrier of separation as a form of protection.

While Eleanor’s confidently naïve observations of the world can be enormously funny, the humour is threaded with heartbreak. At seeing her reflection after a new haircut she thanks the stylist for “making her shiny”. Having been surrounded by damaging and neglectful people all her life, becoming introduced to kind individuals is a foreign but welcomed concept for her.

Honeyman has created a character that is somehow completely fresh and new among literary heroines, and yet can be related to in countless ways. It has been commented that chronic loneliness is a very real problem for elderly people, but it never seems to be addressed among younger generations. Why must age be a contributing factor to a feeling of isolation? Eleanor has had a very troubled childhood and adolescence, but even those of us with caring families are capable of feeling lonely. In fact, according to a 2018 report by the Office for National Statistics, almost 10% of people aged 16-24 said they “always or often” felt lonely. This statistic was over three times higher than for those aged 65 or more.

This novel undoubtedly speaks to many young people, including myself. I have struggled with loneliness in the past – a desire for new friends coupled with fierce insecurity in social situations has made meeting new people a real challenge, and it is something I continue to struggle with. Loneliness can be incredibly upsetting, and is often hard to recognise in someone experiencing it. Honeyman has succeeded in raising awareness of the issue with her original and deeply moving novel, outlining the importance of kindness and compassion.