Art, Music and Dance

I began my last full day in Madrid with a bit of vintage shopping in the district Malasaña, just north of the downtown area. I’d gotten quite badly overheated from walking yesterday so I used the metro for the first time, journeying from Sol to Tribunal. Although the platforms were a little stuffy, the trains themselves were air-conditioned (unlike the ghastly London tube) and the time saved was more than worth it. As long as you knew the station at the end of the line and the direction, the metro was very easy to use and I would definitely recommend it to avoid getting hot and bothered before you even arrived anywhere!

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Malasaña

The street to be for vintage shopping was Calle de Velarde, with second-hand shops lining both sides of the street. I pinballed out of one directly into another: Magpie Vintage, Biba Vintage and La Mona Checa to name a few. The clothes were very affordable and I bought a lovely maxi skirt from Retro City for 20€. I could have also bought about a dozen denim jackets, but after remembering my extensive existing collection back home I managed to refrain.

I stopped for a drink and a slice of carrot cake at a dinky little place by Plaza del Dos de Mayo called El 2D and wrote for a while in the shade of an outdoor table. Aside from an unfortunate amount of graffiti (and not the skilled kind) it was a perfectly nice place to sit, but lacked the striking appearance of the frescoed walls of Plaza Mayor.

I hopped back on the metro and tried my luck getting into the Prado Museum, the main Spanish national art museum. Luckily I’d timed it right and sailed straight in. When faced with such a colossal museum such as the Prado and lacking any professional art knowledge, I decided to wander into the first room that took my fancy. It was filled with vast paintings of stunning natural landscapes with one stretching across an entire wall: “Landscape at El Pardo, Mist Rising” by Antonio Muñoz Degrain (1866). I’m always most drawn to realist paintings and get a little sceptical with the more modern, interpretive types. The colours in this oil painting were beautiful; it captured the perfect moment when the sun was at its most golden, casting a soft light over the tops of the trees and the clouds. There was so much depth in the scene; you could really believe that the rider letting his horse drink in the river was many miles from the distant mountains. I loved everything about it, from the glassy reflection in the water to the fluffy clouds.

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Photo: Museo del Prado

Once I’d had my fill of the Prado I faced the peak of the day’s heat, which would remain at 37°C until 6pm. I’d planned on reading in El Retiro Park, but there wasn’t enough granizado de limón in the world to keep me cool enough. In addition, my sandal promptly broke, and I took that as affirmation that I should get out of the sun.

After a brief cooling off period, I ventured back out in the early evening when the temperature was far friendlier. I bought a strawberry slush this time, just to mix things up a little, and took a leisurely stroll up Calle de los Bordadores and then Calle del Arenal, where two school-age boys were busking. One was playing violin, the other cello. As well as classical pieces I also recognised Dancing Queen, Viva La Vida and Smooth Criminal, which all sounded fantastic played on strings. A little further up the street another busker was strumming Spanish guitar: the epitome of a balmy evening in Madrid.

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To make my last night even more Spanish, I went to see a flamenco show. Of the many tablaos (flamenco venues) around, I chose Las Carboneras, which was just around the corner from Mercado de San Miguel. As I sipped my complimentary drink, I had to suppress a sob when one tourist asked for the Wi-Fi password. I was delighted when the waiter denied it, and instead told them to enjoy the show.

Unfortunately I had waiters marching to and fro in front of me for the duration of the performance, as well as several tourists who couldn’t sit still. It was a shame that photography without flash was permitted so there were dozens of distracting phone screens blaring. After testing my patience too far, I had to tell one man to stop because he had begun to lean into my view. It wasn’t the cheapest flamenco show in town and I wasn’t about to watch it on someone else’s screen.

Nonetheless, the show itself was electrifying, which may sound melodramatic and cliché but it genuinely was. The atmosphere created by the seven performers – four dancers, two singers and a guitarist – was nothing short of incredible. The sound of the dancers’ shoes hitting the floor was like the crack of fireworks. One minute they were spinning in a frenzy, long skirts swirling, and the next they were frozen with just their fingers clicking or their wrists twisting in slow circles.

At times I didn’t know where to look. While the dancers obviously caught the eye in their elaborate and brightly coloured dresses, I found the guitarist fascinating too. His fingers moved almost in a blur but his actions looked effortless and he barely watched what he was playing. As mesmerising as he was, I most enjoyed the parts where the only sound was the lead dancer’s feet and the other dancers’ – who took it in turns to take the stage – clapping. They watched the lead dancer’s movements like a hawk and increased or decreased the rhythm of their clapping in response. There was such dramatic contrast between the gunshot stomps and moments of utter silence. As each dance built to a dizzying climax I felt my chest tighten. The tension in the room was overwhelming.

I would be interested to see how other shows compare to Las Carboneras. It was cabaret-style seating with tables dotted haphazardly and waiters weaving between with trays of drinks. While this suited the environment and lent itself well to such an intimate and emotional performance, for the sake of being fully immersed in the whole ambience, I would have preferred more traditional theatre-style seating. The constant interruptions of drinks coming and going was irritating, not to mention inconsiderate tourists. Venues more catered towards locals may be less tolerant of taking photos, or perhaps locals don’t feel the need to take any in the first place. Even considering that, I would recommend flamenco to anyone visiting Madrid, purely to hear that explosion of sound with their own ears.

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When I left the show I didn’t feel like turning in. It was a beautiful evening so I strolled to Plaza Mayor for some night photography. At 11pm the square was buzzing with activity. A saxophone was serenading diners with “Sway” and a tour group was in full swing, assembled by Felipe’s statue in the middle of the plaza. A woman walked by with her dog. Life continued just the same after dark as it did during the day. Perched on a bench, I felt perfectly safe in the bustling square. There are, without a doubt, things that a girl shouldn’t do alone at night, but in a place like downtown Madrid I felt perfectly at ease. When I got peckish I tried another portion of churros from a café and still found them hard as nails. If there was one disappointment from my trip, it was the let-down of the churros.

As I people-watched and scribbled in my journal, I reflected on the past five days. My time in Madrid had been both diverse and enlightening – my first trip alone to a non-English speaking country. While the language barrier had sometimes felt like quite the hurdle, I’d muddled through and had some incredible experiences. I’d watched terrapins up close and personal, sampled the buzz of El Rastro flea market and had been truly moved by the passion of flamenco. With a little more Spanish under my belt, I could really see myself living like a true madrileña.

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Paella and the Palace

Breakfast was an undeniably Spanish affair. There were potato omelettes, sausages the size of grapes, large fans of hams and cheeses as well as a broad assortment of condiments in small glass jars: sesame seeds, cashew nuts, dates and some things I didn’t even recognise. There were fruit and vegetable smoothies in slim shot glasses as well as long plates filled with pineapple, kiwi, orange, grapefruit and pizza slices of watermelon. There was also cake, and when the opportunity arose to eat cake at breakfast I took it without hesitation. In addition to maple pastries, croissants, mini muffins and wafer-thin slices of marble cake, there was Tarta de Santiago; a delicious almond cake dusted in icing sugar and cut into narrow wedges.

After all that, I was definitely fuelled to start the day. I began by walking west to my second plaza of the week: Plaza de la Villa. Although a fraction of the size of Plaza Mayor, this quaint little square was just as pretty. The architecture was 17th century Madrid style baroque: a picturesque combination of stone, brick and the same wrought-iron balconies I’ve seen on many other buildings in Madrid so far. The statue in the centre of the square was Don Álvaro de Bazán – a famous Spanish admiral who was never defeated in battle. The Madrid City Council chose to commemorate his memory by constructing the monument on the three hundredth anniversary of his death in 1888. The statue is surrounded by a richly coloured flower garden.

Next I paid El Palacio Real a visit. Although still used for state ceremonies, the palace is not the king’s official residence. He and his family live in the smaller Palacio de la Zarzuela just outside the city. I’d toyed with the idea of going into the palace, but when I saw the queues waiting in the baking sun I decided against it. After all, the line for those with tickets was nearly as long as the line for those without. I could still admire the palace through the gates, though.

Opposite was La Catedral de Nuestra Señora de la Almudena: a Madrid landmark that could easily rival other cities’ grand cathedrals. In many churches in the city there was a strong religious presence among those who attended. There were no touristy parts to these buildings – while they were all intricately decorated the style was very subdued. The few I visited were full of praying madrileños and I often saw nuns strolling down the corridors. Although I didn’t feel unwelcome, I didn’t stay long out of respect for those using the cathedral for worship. Visitors should never go to cathedrals in Spain during mass, but even between these times it seemed that tourists were tolerated more than welcomed, and I respected that.

Soon I turned my attention to finding a shady spot to rest. The Jardines de Sabatini were just what I needed. Take away the denim-clad tourists and it wasn’t difficult to imagine ladies in Elizabethan dress wafting fans as they strolled past pruned hedges and thick-limbed trees with bunches of waxy leaves hanging from their boughs. The area was established as a garden in the 1930s as a replacement of the royal stables that were once found there. Now, instead of braying horses, all that could be heard was the crunch of gravel, the chirrup of birds and the lilt of an accordion.

I had lunch at Toro Tapas and ordered a cuttlefish paella. The word “paella” derives from the Latin patella for pan, so the infamous dish is actually named for the black, handled pan that it is served in. When in Spain, you should always eat paella and this one was delicious, popping with juicy prawns, mussels and squid. To drink I chose granizado de limón, which is the Spanish answer to a slush puppy. It was wonderful after the heat of the afternoon and just as refreshing as it sounds.

On my way back from the palace I dropped into La Chocolatería de San Gines, which I’d been told was the place to go for churros – a timeless unravelled doughnut that has planted itself firmly into British culture as well as Spanish. I couldn’t wait to sample what I hoped would be the best and most authentic churros I’d had, but sadly I came away disappointed. The churros were hard and dry, as if they’d already gone stale. I’m not sure if adding cinnamon sugar was a British twist, but I really missed that extra sweetness here. Perhaps I’d been unlucky with a bad batch, but I’d had far nicer churros back home!

I cheered myself up by visiting a few librerias (bookshops) and found some lovely items. In “Desperate Literature” in Calle de Campomanes there was a copy of “Alicia y El País de las Maravillas”, although this classic by Lewis Carroll is confusing enough in English let alone Spanish.

In pride of place on busy Calle Mayor was a shop named La Librería, which had every book on Madrid you could ever want. I bought “Madrid en 55 Dibujos”, which was a gorgeous little hardback full of paintings of Madrid scenes, a lot of which I’d already seen.

By then I was truly exhausted, so I retreated back to the far more tolerable temperature of my hotel room and wrote for a while before heading out for dinner. I sampled the broad range of tapas available at El Mercado de San Miguel, one of Madrid’s oldest and most popular food markets. I forced myself to browse before choosing anything, and I eventually plumped for two crab tapas. In one, the crabmeat was sandwiched between a neon pink burger that had a similar consistency and appearance to a macaroon but was doughier and less crumbly. The other was a miniature pot of crab, which was a slight disillusion as underneath the first inch the pot was filled the rest of the way with straw fries, but the crab itself was delicious. I was also very happy to find a stall laden with sweet treats, so I bought the largest marshmallow pastry I’ve ever seen.

After a good night’s sleep, I planned to explore a part of Madrid that I’d been excited about for weeks: a park stretching across 350 acres that I could just see myself getting wonderfully lost in.

Arriving in Madrid

I thought I was reasonably calm about staying in Madrid by myself, but on the train to Gatwick I felt sick to my stomach. After the stressful ordeal of flying to Florida I thought this would be a doddle, but then again I always panic when I travel. I lost count of how times I checked my camera, purse and passport were still in my bag. I knew I wouldn’t be truly relaxed until I checked into the hotel.

I wanted to make this trip the best it could be. Initially I had designed an elaborate agenda for each of the four full days I was in Madrid, pretty much hour by hour, but on reflection I decided just to list a few things in each district that I wanted to see and keep the rest of the time free for happy accidents. Ultimately it was supposed to be a holiday and if I dashed around cramming everything in I would come back needing to book another. There was also the heat. It was over 30°C all week, day and night, and the last thing I wanted to be doing was frogmarching around Madrid ticking off my wish list. I was embracing a little spontaneous.

The flight was delayed by nearly an hour. While we were sat in our seats, the pilot announced that another plane had been parked in their spot and Gatwick’s announcements had been “a mess”. It was nice to hear he was frustrated too. At least I didn’t have a connecting flight, but it meant I had to gaze outside at muggy drizzle for a while longer.

Eventually we took off and it soon became too bright to look out the window. When the clouds parted, the landscape stretched out in a never-ending blanket of blue; ocean blended seamlessly into sky with the horizon nowhere to be seen. A plane passed us, which was a bizarre sight that I’d never experienced before. It looked minuscule and quite surreal as it zoomed back the way we’d come, soon disappearing out of sight. It seemed as small as a bird flying alongside a car.

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Soon we left the ocean behind and land took its place: a spectrum of browns and pinks swirled in patterns like a gigantic marbled ink painting. Pockets of civilisation sat amongst a jumbled jigsaw of fields, their winding roads linking them in a complex web.

We sank lower and my ears popped. The sandy browns transformed into the greens of a vast expanse of forest, split into dead straight and uniform blocks by white boundary lines. All the while, bulging cumulus clouds slid slowly by. At times they covered the ground completely, puffing up like a worldwide bath full of soapy suds, their dark shadows blooming below them.

After so much open countryside, Madrid sprang up unexpectedly. Large tower blocks loomed over car parks and long bustling streets. I only managed to snatch a quick glimpse before the plane reached the runway and touched down. Once we’d disembarked, we crossed the bridge into the entirety of Madrid–Barajas Airport. Departures and Arrivals were all combined into one chaotic space. Passengers were amassing by the passport check kiosks so I followed, but when it was my turn my passport wasn’t recognised. I was sent to another queue, this one about two hundred-strong. By then I was getting anxious about my case arriving without me, not to mention my poor taxi driver who’d already suffered as a result of my flight’s delay.

The queue inched forwards. A woman in uniform asked to see my passport and told me I needed the other queue. I explained I’d already been rejected there, despite another attendant saying it was for European passports. The woman took me out of the queue and bumped me right to the front. Apparently I’d been in the right place but the machine didn’t recognise a passport if you pressed it down on the sensor, despite the natural instinct to do so.

Eventually I was through and hurried to Baggage Reclaim where I was quite alarmed to see that I shared a luggage belt with two other flights. Luckily my case appeared after only a minute’s wait so I dashed off to meet my driver Santiago, who was all smiles when I spotted him. He took my case, gave me a bottle of water and once we’d reached his car, pointed out the best shopping and tapas on a map. I was pleased to find out that I’d read about most of them during my research, so it was reassuring that a man born in the city recommended the same places.

We left the stress of the airport behind and I finally began to relax. Santiago showed me several landmarks on the way. There was the Wanda Metropolitano Stadium where Madrid-based football team Atlético Madrid play, and the Cuatro Torres Business Area – a business district with the tallest skyscrapers in Spain.

As we drove further into Madrid, the buildings closed in and soon the city had a similar feel to bustling London. I glimpsed zapaterias (shoe shops), panaderias (bakeries) and lots of tapas bars. We dipped down into an underground tunnel and Santiago told me that we were right beneath Plaza Mayor, arguably the heart of Madrid and where I would be staying. When we emerged back into daylight, the architecture changed drastically. In place of the drab, sombre buildings I’d seen on the approach were quaint apartment blocks in pastel shades with tiny wrought-iron balconies and pinstriped awnings. We had suddenly arrived at my hotel: the Petit Palace Plaza Mayor, one of a chain of Petit Palaces found in six other cities across Spain: Barcelona, Bilbao, Valencia, Mallorca, Málaga and Seville.

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In stark contrast to the bright and gracefully aged Plaza Mayor, the boutique-style hotel’s interior was subdued in colour with a significantly futuristic feel. I told the receptionist in Spanish that I had a reservation in the name of Rebecca Gibson and he proceeded to reply solely in English, which was a shame. One of the main reasons I had chosen Madrid for my destination was to brush up on my rusty Spanish. I knew a lot of tourists weren’t too keen to attempt the language, but I was very eager to talk in Spanish and I hoped that the locals would give me that chance.

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My first trip out was to Plaza Mayor itself, which was only a minute’s walk from the hotel. There were numerous people milling around but the square was spacious and tranquil in the early evening. The plaza was built in the sixteenth century when Madrid became Spain’s capital. It was used for state occasions including executions and bullfights, where the spectators would be crammed into the square and royalty would watch from the balconies. Luckily, the plaza is now filled with restaurants and cafes instead, and hosts a stamp and coin market on Sunday mornings.

On three sides the buildings were terracotta in colour with prim white balconies and shutters. On the fourth side – a building called La Casa de la Panadería (Bakery House) – the bricks were covered with intensely detailed frescoes dating back to only 1988, when the Madrid City Council launched a competition for the design covering the wall. The winner was Carlos Franco, whose artwork incorporating mythological characters was completed in 1992. Each part of the fresco was rich in colour with shocks of marigold yellow, rose pink and dusky orange.

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Standing pride of place in the centre of the plaza was King Felipe III on horseback – the subject of hundreds of photos found in Madrid guidebooks. I’d seen him at most angles before I even arrived, but I couldn’t resist taking my own version.

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It really was as hot in Madrid as I’d been told. At nearly 8pm, the temperature easily reached the most blistering of summer days in England. I perched on a stone seat to write and had to move to the shady side almost immediately to avoid burnt thighs. I vowed to definitely look into using the metro during my stay, as it was far too hot to walk any considerable distance.

Along with the glamorous architecture were splashes of kitsch, as with any city location that tourists have access to. Headless mannequins donning flamenco dresses stood in lines while people peered from behind them in Madrid’s answer to the Brighton beach scenes you could stick your face through. Mickey Mouse and Pikachu stood idly for no obvious reason, and several traders ambled around selling light-up toys and novelty whistles. All that aside, Plaza Mayor had undeniable charm. Restaurants and cafes lined the entire square’s border, but I’d been warned against their extortionate prices. I’d read that if I ventured only a few streets further afield I would find high-quality and authentic tapas at a fraction of the price.

I unintentionally threw myself in at the deep end by going to Casa Revuelta for dinner. It had come highly recommended for its bacalao (cod) tapas, but I soon realised it wasn’t your typical restaurant. There weren’t any menus – a waiter came over and you told him what you wanted. Every bit of food vocabulary flew out of my head and all I could utter was pescado (fish). Luckily, I was brought some of the bacalao, which really was delicious. With no bones, the meat was beautifully smooth and with only a thin covering of batter. I ordered something I saw on my neighbour’s table, which turned out to be bite-sized pieces of pork crackling, which I wasn’t a fan of. It was my fault for not brushing up on my vocab beforehand, but by happy accident (the first of many I hoped!) I had tried my first Spanish delicacy in the bacalao.

After settling up at Casa Revuelta, which was already swelling with hungry customers including many native Spanish speakers – I strolled back through Plaza Mayor. Street entertainers were in full swing and Pikachu now had a throng of children around him. I passed El Restaurante Sobrino de Botín, the oldest restaurant in the world, which already had a queue out the door. The dramatic soundtrack of a flamenco show drifted out of a dimly lit doorway.

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I wandered further on and found myself in Puerta del Sol, which was buzzing with activity. One of the busiest places in Madrid, Puerta del Sol (Gate of the Sun) is home to the clock that chimes during the traditional eating of the twelve grapes and signals the start of the New Year. At the far end was a fun little statue that many people had flocked to for photographs: El Oso y el Madroño (the Bear and the Strawberry Tree). Although reasonably small in size, this intriguing bronze statue weighs twenty tonnes and replicates the similar emblem shown on the Madrid coat of arms. The determined bear stretching for the fruit symbolises the resilience and tenacity of madrileños (people from Madrid). Bears used to be found in many of Madrid’s forests, as well as trees bearing fruit that closely resembled strawberries. Madrid was thought to have once been named Ursa, Latin for bear. You wouldn’t find many foraging bears in Madrid nowadays, but Antonio Navarro Santafé’s sculpture in Puerta del Sol was lively enough.

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I decided to get an early night after a long day of travelling so as most madrileños were heading out for the night, I made my way back to the hotel. Casa Revuelta was a bit of a shaky start, but as time went on I knew I would start to find my feet.

The Legend of Jokul Frosti

The frost coated everything in sight. Like a shimmering white blanket it lay draped over leaf, twig and soil. The spectacle brought a hush to the usual bustle of early morning; for the brief time that the frost was here, a silence that only winter could bring hovered in the air.

There were leaves scattered over the roots of the trees from which they were shed, curled and dry and chattering every time a breeze stirred them. Jack Frost had traced every vein with white crystal, setting down each cold stone beside the next like lines of silver beads. A knot in the wood of a fallen log had been sprinkled with frost too. The perfect cubes of ice were arranged in clusters like the hidden crystals that form inside a geode, except this display was here for everyone to see.

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Frost has been a source of delight for thousands of years. Over the course of a few hours, the sleeping streets are transformed into a stunning white sculpture. Perhaps the most magical of all is how fleeting it is; when the sun rises, the silver art melts, disappearing until the next freeze.

Formed from water vapour clinging to freezing surfaces, the white colour of frost is brought by air bubbles that have become trapped in the ice crystals. Hoar frost is the frozen version of dew, formed when water vapour transforms directly to solid ice. Its magical swirling patterns and shapes are perhaps what sparked the deep-set Norse mythology that gave frost a far greater meaning. According to legend, it was in fact the artwork of a mysterious character we all recognise: Jack Frost.

“Then he went to the mountain, and powdered its crest,

He climbed up the trees, and their boughs he dressed

With diamonds and pearls…”

Extract from “The Frost” by Hannah Flagg Gould (1789-1865)

Hannah Flagg Gould’s poem about Jack Frost is a playful representation. After painting the mountains and trees with an artistic flair, he causes mischief in a house by “biting a basket of fruit”, spoiling the food for the occupiers of the house to find the next morning.

It is thought that the legend of Jack Frost originated from Viking folklore. His modern name is an Anglicised rendition of Jokul Frosti, meaning “Icicle Frost”. The son of the Nordic wind god Kari, Jokul was a nymph-like creature who painted beautiful frosty patterns on windows during the night. He was the personification of the chill that arrived with winter and nipped the noses of children with his icy bite.

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Ice Crystals

While Jack Frost is often depicted as a playful sprite with innocent intentions, other cultures recognised Jokul as a more sombre figure – one that was feared and respected. Scandinavian mythology paints a picture of a frost giant that brought not only bitter cold but the black doom of winter that symbolised the end of the world. In northern Russia and Finland, an almighty deity known as Frostman commanded the weather, and was given sacrifices by reindeer herders to persuade him to lessen the severity of blizzards. The villagers would leave bowls of porridge for the Frostman to ensure their crops weren’t touched by the damaging frost. Elsewhere in Japanese folklore, Frostman was a malicious character, the brother of Mistman, who were both keepers of the frost and dew.

Jack Frost is well known but barely understood in modern culture. Most people envisage the elfish creature that decorates the night with beautiful silver patterns that melt with the sunrise. Over time, he has shed the fearsome demeanour that came with the frost giants of Norse mythology. Something as beautiful as sweeping hoarfrost or delicate ice crystals surely couldn’t have been summoned by a menacing omen of everlasting winter. Frost, like the Aurora borealis, is a natural wonder. Although it may not be as sought after as dancing green skylights, it is a microscopic miracle. Whether it is the handiwork of Jokul Frosti will forever be a mystery.

Winter Flora

Chances are, everyone has seen that Christmas is coming. Holly adorns the cards, wreaths hang on the front door and trees are being dragged into the house. Christmas traditions have been part of our culture for many years, but why do we follow them? I wanted to find out, so get yourself another mince pie and discover why exactly certain flora have become such icons of the festive period.

Holly

Holly has been a significant part of Christmas tradition for many thousands of years. The Druids regarded it as the king of winter. It was sacred; while other plants withered during the cold months, holly continued to flourish. As a result, the prickly plant became a symbol of renewal and rejuvenation, maintaining high spirits throughout the difficult winter. Many ancient Europeans brought holly into the home as protection, to ward off ill omens and bring good luck.

Holly also has religious connotations. Early Christians associated the prickly leaves as a crown of thorns and the bright berries as drops of the blood of Christ. According to legends, holly berries were originally white, but were stained red when Christ was crucified.

Ivy

The Druids considered ivy to be the queen to holly’s king. Also an evergreen that endures challenging environments and keeps its healthy green all year, ivy is symbolic of endurance and promise. Thought to possess magical qualities, it was hung in the home to bring luck in the spring.

For a time, ivy was banished by Christians during the festive period because it was able to grow in shade, which was considered a symbol of secrecy and deceit. However, this tradition soon wore off and ivy became a firm part of Christmas culture again.

Mistletoe

Mistletoe has long been regarded as a symbol of freedom – perhaps why it’s suspended rather magically in mid air. Ancient Europeans believed it was a sign of peace, and any time warring Celtics found it in the forests, they would honour the plant and drop their weapons. Today, mistletoe is less of a white flag of surrender, but we still honour it with compassion by sharing a kiss!

Christmas trees

Once again, Christmas trees (typically fir) are evergreens, so were seen as signs of eternal prosperity. They were a symbol of optimism and freshness even in unforgiving environments. By bringing its branches – and more recently, the whole tree – into the home during the Christmas period, it was believed that the evergreen could enliven and invigorate in preparation for the coming year.

So as you are decorating your home with beautifully smelling natural plants this December, remember why exactly they are there and how long these sacred traditions have endured!