Wildlife

Signs of Spring

| Rebecca Gibson

Here is a piece I wrote for ‘A Focus on Nature’, the UK’s Youth Nature Network, where I’ve already met some really interesting writers, photographers and artists. I’m also very proud to say I’ve just been shortlisted for the AFON Pictures of the Week 2017. If you’d like to vote for my photography, follow the instructions on this link. Thank you!

 

“It is a moment of quickening, of rebirth. The old, lovely story: life surging back, despite everything, once again. However spring finds you – birdsong, blossom or spawn – it is a signal: the earth turning its ancient face back to the sun.” Melissa Harrison

One afternoon as I arrived home from a university lecture I stood at the living room window and peered out into the garden as I always do. As usual, the birdseed I had put out the evening before had already gone, polished off by jackdaw and sparrow alike. Today, however, there was a crucial and very welcome difference – the appearance of the first snowdrops of the year. They were very young, still curled up tight in stiff buds, but I knew before long they would be hesitantly opening, their petals tiny white flags signalling the slow beginning of spring.

1 Snowdrop Rebecca Gibson

As January draws to a close, the temperature lifts and although the winter rains usually persist, our gardens are brightened by the tentative emergence of wildflowers. Bold snowdrops have led the way, but soon to follow are yellow and early (purple) crocuses, bringing a splash of colour to the repetitive greens of the lawn. Amongst all this emerging beauty is perhaps the true star of spring: the bluebell. A delicate flower more violet than blue; even one alone is a welcome sight after the biting winds and downpours of winter, but a carpet of bluebells is enough to take your breath away.

Two years ago, back home in Hertfordshire, I was stood in a patch of woodland that had long been heralded as a haven for bluebells. I surveyed the scene from a respectable distance, knowing I’d cause significant damage if I strayed from the worn path. The ocean was vast, spanning far in each direction. Together, the bluebells looked like a single blue blanket coating the tree roots, but up close each bell waved independently, and my romantic imagination gave them the quiet tinkling chime of their namesake.

2 Bluebell Rebecca Gibson

Aside from wildflowers, there are plenty more indications that spring is almost here, from birds to bees to rather odorous plants.

  • The gathering warmth of February rouses overwintering insects, such as the greenbottle fly, whose unappreciated beauty is something quite wonderful to see up close, even if they’re not always welcome buzzing around indoors.
  • Early breeding birds such as rooks will be seen gathering nesting material in preparation for the arrival of their broods. The first eggs will appear around early March, so be sure to look out for rookeries high up in the trees and listen for the constant chatter of busy parents-to-be.
  • One of my favourite spring sounds is the buzz of a busy bumblebee. As wildflowers expose their nectar, bees are quick to make use of the opportunity to gather it in the early part of the season.
  • The heady scent of wild garlic will soon be filling the air. A walk through my local park often includes a good whiff of this pungent but flavoursome plant. Note: wild garlic is similar in appearance to lily of the valley, which is poisonous, so if in doubt please do not forage to eat.

Spring is undoubtedly a time of rejuvenation – an opportunity to shake off the January blues and be inspired by the emerging life outside. As many of us live in towns and cities, it can be difficult to notice these subtle changes in such busy urban environments. This only emphasises how important it is to stop and look, just for a moment, and you’ll notice that however our world changes, nature will always persevere.

3 Wood Anemone Rebecca Gibson

Calm After the Storm

| Rebecca Gibson

The past few months have been fairly hectic. University assignments have ranged from writing an article and designing its magazine layout, a 3500 word report discussing a client project and an exhibition designed from scratch.

There was a week or so once these were all submitted, then lectures started again. The blessing (or curse, as far as I’m concerned) of third year is we only have lectures on one day, leaving the rest of the week disconcertingly empty. This has made my need to stay busy ever greater, so this week we chose the driest day to go for a hill walk in the Lakes. I’m ashamed to say I haven’t taken my camera out for a long time, so it was time to dust it off.

The wildlife highlight came before we’d even left Grasmere. Zahrah’s keen eyes spotted a red squirrel hopping around not far from the road – obviously this one was accustomed to the comings and goings of Grasmere’s inhabitants. While Kerr and Conor fussed over the map, Zahrah and I watched the squirrel forage at the foot of a tree. Inevitably, I didn’t have my telephoto lens so I just enjoyed the view. Once the boys had figured out our route, we set off into the hills, blowing off the cobwebs that had gathered from being cooped up working.

IMG_8702

Help For Red Squirrels

| Rebecca Gibson

According to Red Squirrels Northern England (RSNE), there are approximately 138,000 red squirrels in the UK. For some people this may sound like a lot, but the grey squirrel population currently stands at 2.5 million. Due to the difficulty of monitoring these animals accurately, this number could be even greater.

Undoubtedly a much-loved aspect of British wildlife, red squirrels have faced many challenges in recent years, predominantly the impact of invasive grey squirrels and the subsequent squirrel pox that has decimated populations. While grey squirrels are immune to the disease, reds have a mortality rate of 100%. The virus causes skin ulcers, swelling and scabbing, and after contracting it, most animals die within two weeks.

However, our native reds still have strongholds in northern England, including Northumberland, North Yorkshire and several sites in Cumbria. For a chance of seeing this elusive mammal, it is important to know where exactly to look. Two particularly good spots for Cumbrian red squirrels are Aira Force on the Glencoyne Farm trail and Grasmere. There was an outbreak of squirrel pox at Grasmere in 2016, with more than ten confirmed cases in the valley. However, as a result of the hard work of the Grasmere Red Squirrel Group, the population of reds pulled through.

IMG_4181
Feeding red squirrel (photographed in Lockerbie)

With the squirrel pox virus having such drastic consequences, it can be difficult to know what the best solution is. In 2012, RSNE established a monitoring programme that samples 300 forests and gardens in northern England each spring, using trail cameras to record where red squirrels can be found. The Wildlife Trusts are working to improve the red squirrel’s favoured habitat of coniferous woodland, initiating reintroduction schemes and combating the presence of grey squirrels in a few carefully selected areas where red squirrels face the greatest risk.

If you are interested in the red squirrels of northern England and want to learn more about their status in Cumbria, Red Squirrels Northern England Project Officer Simon O’Hare is doing a talk on Monday 5th February and will be sharing updates on how red squirrels are faring and explaining why it is so important to protect them. The event is taking place at Kirkby Stephen Friends Meeting House. For more information take a look at the Cumbria Wildlife Trust.

Like this?

Have a read of my post about filming red squirrels in Lockerbie here.

Life in the Forest

| Rebecca Gibson

For my latest university project, I explored the concept of forests and what people have to say about them. By creating a survey, I gathered a range of intimate stories that reveal just how important the forest habitat is to us all, for many different reasons.

 

Peaceful. Majestic. Timeless. Forests are a vast and highly diverse habitat with a different meaning for everyone, and provide the perfect opportunity to get time and space away from regular life. To find out just how significant forests can be, a recent survey was conducted, uncovering some varied and intimate stories.

“Forests remind me of home. While standing in any other habitat you surround yourself with nature, but the forest is the only one that swallows you.”

Despite our love for woodland, Britain and Ireland are some of the least wooded countries in Europe, even with the presence of approximately 13,000 ancient trees. Some of these have been standing for over a millennium. This, when compared to the human lifespan, seems an eternity.

“Woodland is a much-loved feature of the landscape,” writes Sophie Lake, author of ‘A Guide to the Wildlife Habitats of Britain and Ireland’, “Stepping inside an ancient wood can be a welcome escape from the monotony of the abrasive, urban environment.” For lots of us, forests are holders of secrets and memories, paving the way for personal reflection and relaxation that cannot always be achieved in the bustle and noise of our everyday existence. Forests enable us to lose ourselves, literally and figuratively.

We admire forests for their natural beauty. Most noticeable of all the seasons is undoubtedly autumn, when frost, crunching leaves and a flurry of excitement in preparation for winter really brings them alive. The forest is not just important for the survival of hundreds of forest-dwelling species but also for ourselves. We are nemophilists – that is, we have a deep fondness for forests and woodland – and have childhood stories to tell of long days spent climbing trees, collecting conkers or watching birds.

7W1A8426-2

“I went on aimless walks as a child – my mum and I used to collect pretty sticks and stones. I’ve always been surrounded by forests and even if I wasn’t in them physically, their presence was always there.”

Forests are a place of play, where children dream up kingdoms and magical lands. There is an undeniable magic to forests that we first discover during childhood, but this stays long into adulthood whether or not we care to admit it. We ask ourselves what exactly it is about a forest that makes us shed our deep-set cynicism and embrace childlike wonder again. Perhaps it is the seclusion that the trees provide that prompts a split from the real world and allows our minds to wander, creating a barricade that shields us from reality. There is also the enchanting way that many wild, forested places muffle our connection to technology, rendering our phones useless. We are cut off from the outside world so we must embrace wilderness, and that is when we realise what we’ve been missing.

“I was convinced I was Mowgli and went running off – ducking to make sure I wasn’t seen by any creatures that might be lurking in the woods. I wanted to stay there forever.”

As children we see and savour so much more, with no limits to our imagination. The rumble in the bushes is a prowling tiger, so we pick up a stick and have a sword. By spending time in the forest as adults, we see nature with fresh eyes. Senses that have been dulled by noise and brightness are now reinvigorated to appreciate new marvels – the sound of birdsong, the smell of conifers, the sight of leaves coated in frozen, silver crystals. It is not until we return to a forest that we remember what a surreal place it is, full to bursting with secrets.

After a recent trip to Kidland Forest in the Northumberland National Park, with over five thousand acres to explore, all these feelings came flooding back to me. The forest was silent; listening while others threw sounds into the air. An abandoned tyre swing creaked, a tawny owl called, but the trees stayed hushed. Each one has survived bleak winters, dry summers and overseen a thousand births and deaths. Seeing such colossal larch trees stretching into the sky put into perspective how powerful and significant the forest landscape is.

“A favourite memory of mine is an enormous old oak that I used to play on. Its limbs went on forever – the sheer size was incredible and it’s amazing to think of the memories it might have held.”

Our love for forests must surely be from the respect we hold for these vast, natural structures that have been standing for centuries while generations have come and gone. These unmoving, unspeaking elephants with trunks of bark and thick, deep-set roots have a majesty that is easy to overlook. They begin life as a seed we can hide in our hands, but will eventually, and inevitably, dwarf adults and children alike.

“Spring is fresh and green, summer is full of birdsong, autumn brings the golden colours and in winter it is a stark place, with all the tree branches exposed scratching lines across the sky.”

Forests in November are patchwork blankets of green, orange and brown, where the trees shine like fiery beacons. It is autumn at its finest: an explosion of colour with just the right amount of chill in the air. Arranged in rows like ornately dressed soldiers, trees stand in silence, the sort of hush that comes just before something long-anticipated. The sun shines in slanted shards, illuminating certain branches and leaving others in chilled shadows. The forest is a drug – beautifully addictive. Its costumes are always changing throughout the year. This season: orange is well and truly in.

The forest is particularly wonderful because it never dies. Whatever the season, there is something happening. Come September, the temperatures drop and the rain persists, but new life is always arriving. Leaves fall and curl up into dry husks, but from amongst them sprout fungi, mushrooms of every colour that decorate and cloak the tree roots like nature’s Persian rug. Soon the nights will be cold enough to freeze, and come morning when the weak sunlight breaks through, millions of miniscule ice sculptures cling to every surface, each one unique. The forest is a menagerie of sights, smells and sounds; even with the wind and rain, the last few months of the year bring breathtaking beauty.

“Every Christmas morning my mum and I have breakfast in the forest. The whole place is frozen and beautiful. I remember how big it was and that I’d never see all of it. That just made what I did see more special.”

Christmas is undoubtedly a time of magic, and forests can be the perfect place for festive celebrations. Businesses are using this to their advantage and hosting holidays in wood cabins and yurts deep in picturesque forest locations; with ever advancing technology it is becoming even easier to find the perfect wild spot. If done sustainably, encouraging a greater participation in the forest can only be beneficial. Being surrounded by the winter chill with perhaps a sprinkling of snow is idyllic – the presence of such an enchanted habitat accentuates the beauty of winter.

7W1A8328

“It is the ability to put to one side the complexities of modern life and modern living and to escape into a world seemingly untouched by the industrial intervention of man.”

Forests are vast, varied and can accommodate everyone. They offer the freedom to forget the modern world for a while and spend time in true wilderness. Walking through a forest feels like stepping back in time, where nothing is artificial. The forest is vast, yet its size and range never seem ominous. Barren and haunting depictions of woodland always resurface around Halloween, painting a rather commercial picture of a scary place, but a forest in autumn and winter is as enchanting as one in midsummer, perhaps with even more wonder.

“I think forests are irreplaceable and I need to go there regularly to remind myself of what’s important.” 

Many people surveyed for this feature revealed that they spend time in forests for meditation, thinking and to enhance creativity. The fact that being surrounded by trees encourages this self-care is truly humbling. In our otherwise hectic existence, minds preoccupied with material wealth, a brief moment spent surrounded by peaceful, green silence allows us to step back and put all of these worries into perspective. And that is worth more than anything money can buy.

The Legend of Jokul Frosti

| Rebecca Gibson

The frost coated everything in sight. Like a shimmering white blanket it lay draped over leaf, twig and soil. The spectacle brought a hush to the usual bustle of early morning; for the brief time that the frost was here, a silence that only winter could bring hovered in the air.

There were leaves scattered over the roots of the trees from which they were shed, curled and dry and chattering every time a breeze stirred them. Jack Frost had traced every vein with white crystal, setting down each cold stone beside the next like lines of silver beads. A knot in the wood of a fallen log had been sprinkled with frost too. The perfect cubes of ice were arranged in clusters like the hidden crystals that form inside a geode, except this display was here for everyone to see.

7W1A8300

Frost has been a source of delight for thousands of years. Over the course of a few hours, the sleeping streets are transformed into a stunning white sculpture. Perhaps the most magical of all is how fleeting it is; when the sun rises, the silver art melts, disappearing until the next freeze.

Formed from water vapour clinging to freezing surfaces, the white colour of frost is brought by air bubbles that have become trapped in the ice crystals. Hoar frost is the frozen version of dew, formed when water vapour transforms directly to solid ice. Its magical swirling patterns and shapes are perhaps what sparked the deep-set Norse mythology that gave frost a far greater meaning. According to legend, it was in fact the artwork of a mysterious character we all recognise: Jack Frost.

“Then he went to the mountain, and powdered its crest,

He climbed up the trees, and their boughs he dressed

With diamonds and pearls…”

Extract from “The Frost” by Hannah Flagg Gould (1789-1865)

Hannah Flagg Gould’s poem about Jack Frost is a playful representation. After painting the mountains and trees with an artistic flair, he causes mischief in a house by “biting a basket of fruit”, spoiling the food for the occupiers of the house to find the next morning.

It is thought that the legend of Jack Frost originated from Viking folklore. His modern name is an Anglicised rendition of Jokul Frosti, meaning “Icicle Frost”. The son of the Nordic wind god Kari, Jokul was a nymph-like creature who painted beautiful frosty patterns on windows during the night. He was the personification of the chill that arrived with winter and nipped the noses of children with his icy bite.

img_9065
Ice Crystals

While Jack Frost is often depicted as a playful sprite with innocent intentions, other cultures recognised Jokul as a more sombre figure – one that was feared and respected. Scandinavian mythology paints a picture of a frost giant that brought not only bitter cold but the black doom of winter that symbolised the end of the world. In northern Russia and Finland, an almighty deity known as Frostman commanded the weather, and was given sacrifices by reindeer herders to persuade him to lessen the severity of blizzards. The villagers would leave bowls of porridge for the Frostman to ensure their crops weren’t touched by the damaging frost. Elsewhere in Japanese folklore, Frostman was a malicious character, the brother of Mistman, who were both keepers of the frost and dew.

Jack Frost is well known but barely understood in modern culture. Most people envisage the elfish creature that decorates the night with beautiful silver patterns that melt with the sunrise. Over time, he has shed the fearsome demeanour that came with the frost giants of Norse mythology. Something as beautiful as sweeping hoarfrost or delicate ice crystals surely couldn’t have been summoned by a menacing omen of everlasting winter. Frost, like the Aurora borealis, is a natural wonder. Although it may not be as sought after as dancing green skylights, it is a microscopic miracle. Whether it is the handiwork of Jokul Frosti will forever be a mystery.

Winter Flora

| Rebecca Gibson

Chances are, everyone has seen that Christmas is coming. Holly adorns the cards, wreaths hang on the front door and trees are being dragged into the house. Christmas traditions have been part of our culture for many years, but why do we follow them? I wanted to find out, so get yourself another mince pie and discover why exactly certain flora have become such icons of the festive period.

Holly

Holly has been a significant part of Christmas tradition for many thousands of years. The Druids regarded it as the king of winter. It was sacred; while other plants withered during the cold months, holly continued to flourish. As a result, the prickly plant became a symbol of renewal and rejuvenation, maintaining high spirits throughout the difficult winter. Many ancient Europeans brought holly into the home as protection, to ward off ill omens and bring good luck.

Holly also has religious connotations. Early Christians associated the prickly leaves as a crown of thorns and the bright berries as drops of the blood of Christ. According to legends, holly berries were originally white, but were stained red when Christ was crucified.

Ivy

The Druids considered ivy to be the queen to holly’s king. Also an evergreen that endures challenging environments and keeps its healthy green all year, ivy is symbolic of endurance and promise. Thought to possess magical qualities, it was hung in the home to bring luck in the spring.

For a time, ivy was banished by Christians during the festive period because it was able to grow in shade, which was considered a symbol of secrecy and deceit. However, this tradition soon wore off and ivy became a firm part of Christmas culture again.

Mistletoe

Mistletoe has long been regarded as a symbol of freedom – perhaps why it’s suspended rather magically in mid air. Ancient Europeans believed it was a sign of peace, and any time warring Celtics found it in the forests, they would honour the plant and drop their weapons. Today, mistletoe is less of a white flag of surrender, but we still honour it with compassion by sharing a kiss!

Christmas trees

Once again, Christmas trees (typically fir) are evergreens, so were seen as signs of eternal prosperity. They were a symbol of optimism and freshness even in unforgiving environments. By bringing its branches – and more recently, the whole tree – into the home during the Christmas period, it was believed that the evergreen could enliven and invigorate in preparation for the coming year.

So as you are decorating your home with beautifully smelling natural plants this December, remember why exactly they are there and how long these sacred traditions have endured!

 

 

A Grand Day Out

| Rebecca Gibson

On my first day off, I decided to cram in as much natural history as I could. First I went to Bristol Zoo for a spot of nostalgia. Going to the zoo was a thing of great excitement when I was younger – though half the time I was equally excited by the gift shop as by the animals – so considering I’d heard some good things about the Bristol Zoological Society and their conservation programmes, I made the chilly walk over to Clifton.

Unusually for me, I was drawn to the reptile house. Perhaps that was partly so I could warm up, but I also fell in love with the blue poison dart frogs. I’d seen them on TV before, but as is often the case, the screen dilutes the real wonder. Shocking azure and midnight blues and black speckles, with a perfect sheen across their skin. Lacking webbed toes, these beautiful frogs aren’t strong swimmers and instead frequent leaf litter or nooks and crannies in boulders. As their name implies, poison dart frogs release toxins from their skin, so don’t taste half as good as they look.

Other reptiles also caught my eye. There was the mountain chicken frog, so named because of its likeness to poultry when eaten, and the Chinese crocodile lizard that was locally known as the “lizard of great sleepiness”. I was also privileged enough to watch a face-off between a male turquoise dwarf gecko and an olive-coloured female. The pair were rather nonchalantly standing on a vertical wall of the tank, gazing intently at one another. The male twitched his tail and turned his head sharply to the side, perhaps displaying his beautifully chiselled cheekbones in an attempt to woo the female. I watched them with my neck at a unique angle for ages while they continued to stare at one another, until eventually the female headed back down the wall, obviously unimpressed.

I ate lunch on a bench overlooking Bug World. Almost immediately I was joined by a menagerie of birds trying to catch my eye; woodpigeons, blackbirds, and a particularly plucky starling. Just as I was admiring his beautiful plumage, he tried his luck and flew up, snatching a loose prawn from my sandwich. Before I’d even blinked it was down the hatch, leaving a smattering of mayonnaise on his bill. I doubted he’d been introduced to seafood before, and began to worry how he’d digest it. Then I remembered that the starling had in fact stolen from me, and I knew the resilience of urban birds was quite astonishing. The starling perched on the wall behind me, burbling for a while with head twitches this way and that. I finished the rest of my lunch in peace and he heartlessly left.

IMG_9269

After a loop of the zoo, I headed back into town. A man sat playing the accordion with a huge and very contagious smile plastered across his face. Opposite him was another man selling the Big Issue, rather begrudgingly wearing a Santa hat. Lights led the way up Queen’s Road, with shoppers dashing around laden down with bags.

It was undoubtedly winter. There was a chill that tightened my lungs when I gulped the air and my ears were moaning, wondering where my hat was. It had been consistently cold all week and there was a definite hint of trepidation in the air. Snow was waiting in the wings, I was sure of it.

When I reached the museum there was a Pliosaurus waiting for me; a large, blue poster flapping seductively. I couldn’t resist and hurried in. Meandering through an army of taxidermy, I gazed at okapi, kakapo and kingfishers, as well as a sea of dinosaur bones that included miniscule prehistoric teeth laid out in perfect rows. There was also Bristol’s very own dinosaur, Thecodontosaurus, which stood no taller than a Labrador but roamed a tropical habitat during the late Triassic period, 210 million years ago.

After a slice of bakewell cake in the café and customary browse through the shop, I headed back out into the quickly darkening afternoon. As I was trying to make my neck as short as possible in the biting air, my eye caught on £3 bookshop and I veered sharply to the left without a moment’s hesitation. Bristol was amazing! Every wall was lined with books, every one brand new and three pounds or cheaper. I purchased a copy of Moby Dick, but had a sneaking suspicion I’d be back before next week was up.

Winter Migrations

| Rebecca Gibson

During this time of year, many birds have migrated for the winter. Some, like Partridges, don’t stray more than a kilometre from where they were born, but most birds – at least 4000 species – will migrate to seek new pastures that will see them through the colder months. There are several different types of migration that British birds follow, due to food availability or sometimes their own adaptations.

In an irruption migration, large numbers of birds that do not usually visit the UK arrive in a short space of time. In some years, the population grows too large for the food that is available in the birds’ usual territories, forcing them to relocate. Waxwings (Bombycilla garrulus) migrate in this way; some years we are fortunate enough to see large groups of these striking birds feeding on berries high in the trees, while other years there are none at all.

While many birds travel from north to south or east to west, some make shorter journeys from low to high altitudes and vice versa. Even though this migration may not be as physically demanding, there are still new challenges that come with a change in environment. In the UK, various larks, pipits and buntings are altitudinal migrants, including the Skylark (Alauda arvensis). As well as an altitudinal transition, many Skylarks will change habitat in winter. Having spent most of the year roaming farmland and heathland, coastal marshes become more favourable during the winter months.

Other migrations aren’t as a result of finding new feeding grounds but simply to stay safe. While all birds shed old feathers to grow new ones, species such as the Shelduck (Tadorna tadorna) lose all their flight feathers, making them very vulnerable to predation. In order to increase their chances of surviving while new feathers come through, Shelducks migrate to safer areas in late summer once the breeding season is over. A popular location for Shelducks is the island of Heligoland, situated in the North Sea. This allows the birds to moult with little disturbance.

Northumberland: Day Three

| Rebecca Gibson

There was no frost today, but the sun was shining brightly and I knew the larches on the hills would be lit up like fiery beacons. We only had the morning, as we were leaving the bothy just after lunch, so first I headed out with Cain to pick up the camera traps. I was wrapped up in my fleece but was soon peeling layers off – the weather was surprisingly warm today with such bright sunshine and little wind.

7W1A8462

Just before we returned to the bothy to check the footage, Cain took me to see the huge troops of orange fungi up the hill by the clearing. I’d just been saying how little fungi I’d seen, but I was soon proved wrong when I saw how many there were up here. Sprinkled all the way along the track were small orange bulbs of every shape and size. Some were illuminated in patches of sunlight, which made their colours shine even brighter.

7W1A8528

As I was stooped on the ground photographing the fungi, I heard a bizarre sound that reminded me of an angry cat. I turned and saw the outer layer of trees swaying in the growing wind, releasing the most peculiar creaking noises. Cain explained how these trees would usually grow on the inside of the forest, but due to felling they were now on the outer layer and were struggling to cope with the battering elements. Some had already succumbed, and we passed gigantic trees lying flat on the forest floor, their roots larger than tractor wheels.

7W1A8512

Out in the open, the wind was a lot stronger, so we ducked back down and sought the shelter of the forest. We gathered everyone in the bothy and had a look to see if the traps had been successful. Sadly, the two I had put out only had footage of my bobble hat as I attached and detached the trap from its post. However, Cain had put one in the garden and this had filmed several clips of a bank vole darting in and out of the rock pile. Later in the night, a wood mouse joined the scene, distinguishable by its longer tail and much larger Mickey Mouse ears. So, the traps weren’t a complete disaster, but certainly no pine marten footage.

7W1A8510

Sightings

  • Bank vole – on camera trap (Myodes glareolus)
  • Chaffinch(Fringilla coelebs)
  • Kestrel(Falco tinnunculus)
  • Robin(Erithacus rubecula)
  • Wood mouse – on camera trap (Apodemus sylvaticus)