My First Guiding!

June 28, 2021June 28, 2021 | Rebecca Gibson

**The inspiring setting of Roseisle Forest**

Last week I made my debut as a wildlife guide! As part of the Moray Walking and Outdoor Festival I hosted a woodland writing workshop in my local patch in Moray. My own writing is always enhanced when I incorporate all my senses so during the workshop I encouraged the participants to pick up on sounds, smells and textures as well as sights.

For three hours we roamed through the forest, which on that sunny morning was full of birdsong and the last few coconutty whiffs of gorse flowers. I think the highlight for all of us was spotting a wood ant nest right beside the path. On closer inspection, we saw an individual ant carrying a feather three times its size!

**Kim, Suzy and Elizabeth reflecting on the forest walk**

**Liz checking her notes – it was lovely to hand write for a change!**

I loved sharing my patch with new people and hearing some really beautiful writing. I was particularly pleased that two of the ladies, Suzy and Elizabeth, became completely immersed in their own conversation. Suzy has since spoken about the workshop and her chat with Elizabeth on her podcast.

As this was my first guiding experience I was nervous about how it would go but I received some fantastic feedback. “I enjoyed your walk and workshop very much,” Elizabeth told me. “It was so good to slow down, listen to birdsong and look at trees and flowers. It was a memorable few hours.”

Elizabeth’s friend Martina also said that she felt absolutely no pressure when it came to the writing task, which I was delighted to hear. She described the new pine sprigs as “chandeliers”, and when she pointed them out to us it made complete sense! I think it’s far better for a writer to describe something they say in a way that’s unique to them, rather than a technical term that not everyone would know. When I see pine branches that look like this again I’ll think of Martina!

I was thrilled that the workshop went so well. I shall be running similar events in the next festival, taking place in September. As a writer who spends a lot of time working alone, it was a refreshing change to wander with like-minded women and share work and perspectives. What a rewarding morning!

A Review of ‘Sky Dance’ by John D. Burns

April 14, 2020April 14, 2020 | Rebecca Gibson

I discovered ‘Sky Dance’ while looking for non-fiction titles in the Scottish Interest section of my local Waterstones. In the past I have struggled to engage with a lot of rewilding books and often been intimidated by the political conflict. But after reading the blurb I realised that ‘Sky Dance’ was actually a novel. The story follows two hill walkers who get caught up in a row between conservationists and landowners about the reintroduction of lynx into Scotland. There is a fictional island called Morven and a landowner who ticks all the stereotype boxes of a tweed outfit, upper middle-class pomposity and a disregard for any animals besides grouse.

It is a strange book in many ways – especially the surprising ending – but I enjoyed the unorthodox approach. Acknowledging a potentially heavy topic such as rewilding through the medium of fiction was intriguing. ‘Sky Dance’ conveys important messages while remaining full of action. There are a few too many side stories which muddled the plot for me, but the main narrative about the lynx was an engaging one.

It would be fantastic if the reintroduction of a long-lost predator into Scotland could one day be a reality and not a piece of fiction. Burns explains that lynx would pose no danger to humans and only have a very low impact on livestock. If famers were compensated for these small losses then lynx would undoubtedly make a valuable contribution to the restoration of an unbalanced ecosystem that is currently overflowing with deer and damaged trees. Wolves and bears raise more difficult issues, but I believe lynx should definitely be brought back to the UK. John D. Burns paints quite a haunting picture of what the Scottish Highlands could look like if we started to reverse the damage we’ve caused by hunting apex predators to extinction.

Published in 2019, ‘Sky Dance’ is John D. Burns’s third book. He has spent over forty years climbing mountains and fifteen years writing. To hear more from John, visit his website for blogs and podcasts.

Shorewatch

March 24, 2020March 24, 2020 | Rebecca Gibson

I am now officially trained as a Shorewatcher for Whale and Dolphin Conservation (WDC). I’ve been wanting to learn more about my local wildlife and contribute to marine conservation now I’m living in Scotland, so when I found out about the Shorewatch programme I was keen to get involved. Luckily I managed to complete my training in Inverness earlier this month, only a couple of weeks before the new regulations that now prevent us from going out for anything other than food shopping and exercise. Although I now won’t be able to start Shorewatching for a while, I’m going to use my time to get better at identifying British cetaceans using books in preparation for when I can get started properly.

Shorewatch is a citizen science project that’s all about scanning an area of ocean for ten minutes and recording the presence or absence of cetaceans (whales, dolphins and porpoises). The areas are especially assigned Shorewatch sites, which are found all over northern Scotland. The data collected is sent to WDC and used to monitor populations of cetaceans and flag up potential problems that may be occurring, such as deep-diving species that are straying into the shallows or a noticeable lack of sightings in an area where we might usually expect them.

Shorewatch is particularly beneficial because it is a completely non-invasive way of surveying. As the volunteers are positioned on the shore instead of in boats, the cetaceans show natural behaviour. WDC also don’t believe in tagging animals, so prominent scars and nicks in dorsal fins are used to identify individuals. For example, the team can recognise Spurtle, a female bottlenose dolphin, from the large area of sunburn on her side.

I haven’t seen any cetaceans in Moray yet, but I’m sure that will change over the coming months. The season will hopefully kick off properly in May, and going by the incredible photography I’ve seen, the bottlenoses really go to town with their acrobatics! However, when all you see is the flick of a tail or the subsequent splash, it can be tricky to figure out what species you’ve seen, so I’m learning how to identify different species in the water. The Moray Firth is famous for its bottlenoses, which are both the largest and most northerly in the world, but many other species have been spotted from Burghead shores including harbour porpoises and even orcas and humpback whales! I would definitely cry if I saw an orca in my local patch, but I shouldn’t get ahead of myself. Hopefully I’ll get to see the resident dolphins soon. We all went to Chanonry Point after our theory training to do a practice Shorewatch, and although there were no dolphins, we saw a common seal and a white-tailed eagle! I haven’t seen one since my trip to Carna in 2016, so to be able to watch the “flying barn door” on the east coast was a real treat and a fabulous introduction to Shorewatching.

Nature Journal

December 8, 2019 | Rebecca Gibson

I can’t believe I’m already two assignments into my master’s degree. Both have been based around the theme of “Writing in the Field” – writing outside as opposed to a typical office environment. This was really useful for me, as up until now I’ve mostly written brief notes outside and then typed them up later at my desk. While this worked for jogging memories, it occurred to me that I was losing out on a lot of detail this way. Photos reminded me of things I saw, but I was glossing over other sensations such as smells, sounds and textures. By paying attention to these senses I found I could create a fuller, more immersive piece of writing that really put the reader in the field with me.

Art 10 — Inspiration for a fantasy fiction piece

For my first assignment I decided to start a nature journal that I planned to take with me whenever I was out in nature. This would be the basis for my essay in the first assignment. During my research I discovered that many writers use journals to enhance their writing experience. Charles Darwin kept perhaps the most well known example during his voyages on H.M.S Beagle but there are numerous others. Author and artist John Muir Laws said that “journaling will slow you down and make you stop and look.” American author and scientist Aldo Leopold’s nature journals were so significant that the resulting essays became valuable contributions to the field of phenology – the study of seasonal natural phenomena. I also found several studies indicating that being outside is beneficial to creativity, so it made sense to do more writing outdoors!

Art 8 — An illustration for a piece of scientific writing about roe deer

I found that my nature journal not only benefitted my writing but also enabled me to concentrate more on my art. I was keen to make the pages pretty and yearned to have a journal that would be cool enough for Pinterest. I’ve always loved drawing and painting but it’s often taken a back seat. My usual excuse is that I have no time, but over the past few weeks I’ve started to create quite a large body of work just by snatching a few minutes here and there to make a sketch. I bought a travel watercolour palette with a brush containing its own water which has been a lifesaver. Now I can pop my paints in my bag and take them anywhere, and I’ve really got on well with it so far. I deliberately bought a journal with a ring binder, so I can remove and insert the hole punched pages wherever I want them. A lot of my conventional notebooks have failed so I think having the freedom to go back and add pages in later has helped to keep the creative flow going.

Art 7 — Burghead Harbour, the scene of a reflective piece about night walks

Writing and illustration go well together, so I decided to create a small drawing or painting for each piece in my second assignment – a portfolio of nature and travel writing from the field. I’ve loved setting art projects for myself again, which I haven’t done since school. Not only does it bring some variety to my writing, but it’s enhanced my observational skills by forcing me to note the fine details of my environment. I’m really looking forward to seeing how my nature journal progresses and I hope I can maintain it until the end of my course and beyond!

Art 9 — A worm’s eye view to illustrate a sci-fi fiction piece

The British Wildlife Centre

November 14, 2019 | Rebecca Gibson

The British Wildlife Centre (BWC) is a little pocket of countryside that combines wetland, woodland and marsh to create the ideal natural environment for around forty species native to the UK. The centre is home to birds, mammals and reptiles, some of which have been rehabilitated because of permanent injury or too much contact with humans. They range in size from harvest mice to red deer with all sorts in between. It’s a particular treat to be able to see animals native to Scotland such as the pine marten and the Scottish wildcat, the latter of which is now critically endangered.

Five years ago, I attended one of the BWC’s photography days, which was a fantastic opportunity to practise using my new telephoto lens and get to grips with wildlife photography. Taking part in the photography day enables guests to visit the centre out of hours and get even closer to the animals. Recently I decided to return to the BWC and see what I could capture.

A lot of wildlife writers I know don’t post about captive wildlife. I can understand why – regardless of the facility it is the concept of animals in cages that they don’t agree with. However, the BWC isn’t cramming elephants into its enclosures. Conservation of British wildlife is at the forefront of their objectives and this is done primarily through education. When the centre is closed to the public, the BWC welcomes school groups and those in higher education to provide “a real natural history experience”. What I love most about the BWC is that it aims to promote greater involvement in British wildlife by giving children and students an opportunity to study native wildlife in a natural setting.

A particular favourite of mine was Flo the red fox. She rested with her eyelids drooping, her fur glistening fiery orange in the bright sun. She is one of the animals that has become too habituated with humans to be released, so she enjoys unlimited cuddles from the keepers. I sat down beside the fence and she got to her feet, stepping through the grass to lie down close to me. I took the chance to admire the stunning brush tail that swept around her back legs, her wet black nose and long whiskers. It was impossible to see how anyone could hate such a stunning animal. I sat with Flo for a while, the two of us basking in unnaturally hot November weather until a family with children approached and she trotted over to say hello.

Escape to the Wilds

November 1, 2019 | Rebecca Gibson

Recently I travelled up to Northumberland to visit friends from university. They are two of the busiest people I know, so I was pleased to be able to steal a few days in October to catch up and visit their local patch.

The first thing I experienced was severe house envy. Wildlife art adorned every wall; the sort of beautiful paintings and drawings that I planned to splash all over my own home some day. However, it was the bookshelf that really caught my attention. Sprawled across an entire wall and almost reaching the ceiling, it was crammed with every book on natural history you could want. Not just modern paperbacks but antiquarian hardbacks with leather bound covers and swirling gold titles. In front of every row of books was an envious selection of treasures: pinecones, gannet eggshells, roe deer antlers, pin badges, lino prints, Wade Whimsies, fossils, gemstones, lichens, miniature animal wood carvings and a beautifully preserved badger skull with its lower jaw intact. I spent ages studying everything in turn, gravitating first to the roe antlers. I have a roe buck skull of my own – one of my most prized possessions – but I still long to find dropped antlers too. It was an impressive collection of everything nature, framed by dozens of books from my wish list.

I stayed with my friends for a long weekend and managed to cram quite a lot into those few days. Heather and I visited a fantastic patch of woodland, which was home to not only red squirrels but also pine martens! I knew we probably wouldn’t catch a glimpse of one during the day, but it was still exciting to walk among trees that might be housing a sleeping marten. It was so peaceful and quiet with only faint birdsong punctuating the air. As we searched for fungi to photograph, I found a gorgeous caterpillar making its way along the fence. Later, we discovered it was a buff tip moth caterpillar.

The next day I helped Heather with a “Mini Wildlife Adventure” that she was running for a child’s birthday party. The boy was intrigued by nature and so he and his friends spent the morning pond dipping, searching for bugs, finding badger prints and birdwatching in a hide. It was such a fantastic idea for a birthday party, and it was particularly refreshing to see that the boys had good wildlife knowledge and were genuinely excited by what they saw. Educating children about nature at a young age is the key to ensuring they continue to care about it when they grow up. Those boys would have spent hours pond dipping if we’d had the time, and it was so lovely to see.

That evening Heather, Cain and I spent a peaceful last evening watching Sherlock with the fire cracking and snapping in the grate. It had been a pretty jam-packed weekend but as always, I felt inspired with a rejuvenated love for nature that always comes after a trip to northern England or Scotland. I sometimes struggle to feel that same passion at home in the south, where there are more people and noise and far fewer pine martens. I love escaping to the wilder parts of the UK and look forward to another wildlife adventure very soon.

New Chapter

October 10, 2019October 10, 2019 | Rebecca Gibson

The past fortnight has been an absolute whirlwind. I have officially begun my MA in Travel and Nature Writing at Bath Spa University, which I’ve decided to do part time over two years. The course is low residency so I shall be staying in Hertfordshire and completing most of the masters online. However, last week was my first residential which took place in Corsham, a town three miles from Chippenham, Wiltshire. The residential was designed to meet my fellow students and spend five full-on days getting used to postgraduate teaching.

It may sound like an exaggeration but the campus was incredible. Built in 1582, the building is a stunning English country house complete with sweeping grounds and even peacocks that strut comically up and down the walls. I couldn’t help imagining moving staircases and translucent ghosts as I wandered the corridors in search of the library. Although small, its shelves are crammed with books including an enticing selection of nature writing, both old and new.

I am sharing this year’s course with sixteen other writers. While there is a broad range of ages and experience, all but one of us are women – an interesting contrast to the typically male-dominated world of nature writing in previous generations. Everyone is incredibly friendly and I already feel comfortable reading my work in front of them and getting great feedback in return. We were set two writing exercises this week: a piece inspired by senses other than sight and an observational piece from time spent in Corsham High Street. Description is a favourite of mine so I often explore sound, smell and touch as well as visual stimuli, but it was particularly useful to hear what everyone had written and see what details they picked up. Although writing did feature in my undergraduate degree, there was definitely more of an emphasis on visual media, so it was really useful to discover my strengths and identify what I could try next.

65fc464e-0440-4342-bb5a-c15f587296e0 — A visit to Avalon Marshes in Somerset on our last day

Now I’m back in Hertfordshire and already missing the change of scenery, not to mention the time spent chatting with new, like-minded people. We will now mostly be communicating and learning via Google Hangouts until the next residential in February, but I did enjoy meeting face-to-face. I’ve never been taught online before so it will be an interesting new educational experience.

We’ve already been set our first assignment, due next month: an essay on the act of “Writing In The Field”. It will be the first time that I design my own question and I’m a little daunted by that at the moment! I’m sure that once I get reading, I’ll start generating some ideas.

My course leaders are Stephen Moss and Gail Simmons, both successful authors in their own right. I’m so happy to be learning more about the craft of writing, especially on a course tailored to nature and travel. I’ve been stuck in a slight rut this past year and was in need of a new challenge. While I still have the passion and drive, I felt like I was lacking in some of the specific skills I need to pursue a career in writing. I’m convinced that this MA will be a great step for me.

Micrarium

September 1, 2019September 3, 2019 | Rebecca Gibson

Recently I was accepted onto the Travel and Nature Writing MA at Bath Spa University, which I’ll be starting later this month. In preparation for this exciting new challenge, I signed up for a travel writing workshop run by Peter Carty, who regularly writes for publications such as The Guardian. Although my focus will definitely be more on the nature half of my MA, there is a lot of overlap with travel and I would love to develop my portfolio in this area.

Peter’s workshop was extremely useful, especially the postcard exercise. Over lunch, we were let loose into London with a blank postcard. The challenge was to find a new and intriguing place and write a short travel piece about it on the postcard, including quotes from people we met along the way. As a wildlife writer I’ve had very little experience with interviews, so approaching strangers and getting quotes was daunting but rewarding. I decided to visit the Grant Museum of Zoology in Fitzrovia, which turned out to be a treasure trove of taxidermy and scientific specimens.

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Micrarium

A jar of moles, a penis worm and a dissected rat. These are just some of the specimens on display at the Grant Museum of Zoology. But past the imposing elephant skulls and ominous, pickled jars is an intriguing display of alien-like creatures nobody would notice in the wild.

It’s said that 95% of known species of animals are smaller than a human thumb. The Grant Museum, named after British anatomist and zoologist Robert Edmond Grant, sheds light on the mysterious and microscopic in its Micrarium: a seemingly infinite display of backlit microscope slides that are creatively reflected in a mirror mounted on the ceiling. There are 20,000 slides in the whole museum, but the selection of 2000 in the Micrarium exhibit alone is impressive enough.

“It’s probably one of our more popular exhibits,” explained volunteer Margaret, “We get lots of people taking photos for Instagram.”

I can see why. Step inside this bizarre taxidermic phone box and you can observe minute insects and cross sections of tissues in astonishing and multicolour detail, painstakingly plastered across three walls. Among the specimens are the muscly leg of a flea and a whole squid measuring less than a centimetre long.

“While public displays very much focus on larger animals,” said Jack Ashby, manager of the Grant Museum, “Most natural history collections have thousands of very small specimens kept in their storerooms which are rarely shown to the public.”

Once used for research at UCL, the neighbouring university, the Micrarium now enthuses the general public instead, uncovering secrets of the miniature monsters that crawl well out of human sight. It’s not quite the blue whale at the Natural History Museum, but it’s an insight into 95% of animals on our planet, which definitely deserves a second look.

The Wildlife Hotel

April 16, 2019April 16, 2019 | Rebecca Gibson

On The Wing has been quiet recently, not for lack of inspiration but for lack of time. Over the past few months I’ve been busy with a few different projects. I’m close to finishing an annual report for SEZARC, outlining the highlights of their work in 2018. I’ve also moved part-time into the library where I’m filling notebooks with scribblings about Siberia, Russian megafauna, native tribes and the mysteries of shamanism. All this is for my book idea and the more I read, the more I need to read. It’s a constant cycle of finding a book, reading something fascinating and looking up similar books to find out more. I’d love to eventually start the actual writing process, but so far I’m waist-deep in other people’s books and loving every minute.

All of this work has meant that I’ve neglected my camera and seen most of my local wildlife from behind glass recently. However, this week brought the perfect opportunity to get back outside and into nature. It’s the Wildlife Book Festival at the Grant Arms in the Cairngorms. Also called the Wildlife Hotel, the Grant Arms is a beautiful Victorian building within easy reach of dense pine forests, boulder-studded rivers and sweeping mountain valleys. In other words, the perfect place to celebrate British wildlife.

It feels fantastic to be back out there with binoculars around my neck and a crumpled notebook in my hand. It also helps to be in such a stunning location. St Albans is nice, but when you’re woken to the sound of squealing oystercatchers and only need to walk for five minutes before hitting a thousand acre wood (check mate Winnie the Pooh), there is simply no contest.

It’s so easy for me to get caught up in work. I get so engrossed that I forget to ever switch off, which makes this week a very important break. It’s a little telling that I need to travel five hundred miles from home to take that break, but when the scenery is this pretty, I’ve figured it’s alright.