Up in the Air

September 26, 2018 | Rebecca Gibson

The plane roared to life and I experienced the age-old feeling of excitement whenever I fly. As we chased the runway and the plane slowly lifted, I pressed my face to the window to see the ground fall away. I will never tire of that feeling of utter weightlessness – the peculiar thought of something so bulky taking to the air.

I’d been invited onto my boss’s plane for a morning trip to Naples, a city in southwest Florida looking out onto the Gulf of Mexico. We were flying to break in a new engine, and planned to refuel in Naples before returning to Yulee. It was a whistle-stop state tour, a four hour round trip that would take twelve in a car.

Within moments of take-off we were over the beach – long piers stretched out into the sea like the teeth of a comb. At 9am on a Saturday the beach was almost deserted. It was a treat to see so much uninterrupted sand before the tourist tide came rushing in.

We curved back inland and passed over a maze of river and marshland that I had already explored by boat, but this time we were too high to look for egrets. The only movement was the white streak of a lonely boat as it navigated the watery trails. I wondered how many alligators were down there, then decided not to think about that.

The marshy solitude of Amelia Island dissolved into towering office blocks, and I soon recognised downtown Jacksonville. There was the Landing, where I’d been just a week before the shooting. It had been enough to dissuade me from visiting downtown again, but I still had fond memories of the river walk, the MOSH museum and the topaz blue water of Friendship Fountain.

Leaving vast, sprawling Jacksonville behind, the landscape was soon dominated by trees again. Green was undoubtedly a primary colour in Florida – a patchwork quilt of field and forest stretched as far as the eye could see. In some places the trees were confined in tightly packed cubic parameters. In others, they were sprinkled sporadically. Criss-crossed over it all were the highways, dead straight lines in parallel and perpendicular.

Fluffy cumulus clouds were gathering, and a rather ominous feeling began to grow in my stomach as we bumped over them. Sunlight poured into the stuffy cabin, which did nothing to suppress my queasiness. Because of the new engine, we had no choice but to fly low. While the views were still stunning, I was somewhat distracted by the turbulent ride, and as Naples came into view I couldn’t help feeling slightly relieved that we’d be getting out of the clouds.

Once down on the ground, we stopped just long enough to stock up on drinks – fuel for the plane, a Gatorade for me – before taking off again, back through the spectrum of concrete jungles and green wildernesses.

Stop and Look

September 19, 2018September 19, 2018 | Rebecca Gibson

In our bittersweet digital age, it’s so easy to be lazy. As a photographer who has tried using film but undoubtedly prefers shooting digital, I have the ability to take thousands of photos of the same thing if I want to. Once I have a camera and hard drive, there are no other essential expenses or materials required. While I personally didn’t enjoy the process of developing film, I commend those who gather all that equipment and spend hours in the darkroom bringing their images to life. I’ll admit it is dedication beyond what a lot of digital photographers put in.

It got me thinking how I can see more when I explore my surroundings. I often leave my camera at home and just watch for a change, no longer distracted by adjusting settings and looking at yet another screen. But I still want a permanent memory of what I discover. An answer to this that I am trying to introduce into my routine is drawing.

I’ve always enjoyed art but never possessed any genuine talent for it, which is perhaps why it never became more than an occasional hobby. Whenever I see someone drawing or painting I feel an overwhelming urge to join in. I could do this at any time and yet never do. What starts as an “inspiring new project” eventually fades into a half-full notebook.

I was in Tampa this weekend visiting the Florida Aquarium, and I packed my (so far untouched) sketchbook and pens on a whim. On the first evening, I wandered along the riverside just as the sun was setting. Across the water I noticed an incredible building with bulb-like turrets and crescent moon decorations. It looked like an Indian temple; I had no idea what it really was but I retrieved my sketchbook and began to draw it.

Twenty minutes later I had drawn my impression of the scene: the turrets, a large gathering of palm trees and the restaurant in the foreground. During this time three different people approached and asked me about what I was doing. Copying as closely as I could provided an opportunity to observe a level of detail that is far harder to notice when taking photos. I finished with something I was quite proud of, not to mention a talking point with passers-by and a souvenir of my evening.

I later discovered that the exotic building was the Henry B. Plant Museum. I was somewhat disappointed to find out that it wasn’t a museum full of plants as I had originally thought.

The Greenway

September 10, 2018 | Rebecca Gibson

The Egan’s Greenway is an unexpected jungle in the middle of smoke-belching industry and deckchair tourism. The mundane sounds of traffic are deafened by the furious chatter of cicadas – enormous insects that seem prehistoric. Their strange call is like the sound of angry water sprinklers, growing louder and faster until it reaches an alarming tempo, then abruptly stops.

At first light the Greenway is sharply divided into light and dark. The dense, impenetrable forests are still cool – the trees in muted greens – but out on the marsh the grass is alight with fiery golds and oranges. Naked trees poke the sky with sharp limbs white as bone, while beside them sway lush evergreens. It is a land of stark contrast, a spectrum of vitality and decay. Time passes here with the tick of the cicadas.

The day warms up, throwing a shimmer onto the surface of the creek. Here there be dragons, some cruising between reeds on transparent wings, others scrambling up trees with long claws. A flash of movement and then a disappearing act, they blend seamlessly into their surroundings. Just a flick of the beady eye will give them away, and then they will shoot off into the undergrowth.

Other beasts can be found higher up. Perched on the skeleton fingers are ospreys, scanning the creek in every direction. One takes to the air and its mate follows. Together they wheel in deep circles, overlapping in smooth figures of eight. A wood stork, large enough to be unfazed by the raptors, joins their sky with dark wings barely flapping.

Then, a real dinosaur. A creature that survived what forty-metre sauropods could not, almost unchanged for millions of years. This one is only small, an arm’s length perhaps, but even so it floats beneath the water’s surface with the stealth of an adult, startling green eyes always watching. A glance away and back again and it has disappeared, moving across the creek without a sound.

Where is mum? Perhaps it is best not to stay and find out.

Searching for Spoons

September 3, 2018March 11, 2020 | Rebecca Gibson

After so much excitement, I’ve neglected my camera recently and wanted to finally spend some proper time searching for Florida’s wildlife. I’d been told about a good spot for wading birds, and knew that the inhabitants included my new favourite bird, the roseate spoonbill. I set out before sunrise and reached the water just as the sky was beginning to lighten; pinks and oranges blending with blue.

My first sighting was almost immediate. Perched on a branch overhanging the lake and peering curiously as I wound down the window was an anhinga. With both heron and cormorant-like features, anhingas spear fish under the water with their long, sharp bills. The name originates from the Brazilian Tupi language and translates as “devil bird”. I don’t quite see the devilish resemblance – I found the anhinga delightful, especially when it shook out its striped wings. Like cormorants, anhingas hold out their wings after swimming to dry them. This one looked like either a female or a juvenile, as males are jet black with silvery streaks.

Soon the anhinga was joined by a yellow-crowned night heron, shoulders hunched down as if with cold. With a white cheek patch and a pale crown of feathers that looks more white than yellow, the yellow-crowned night heron is actually nocturnal, so I must have been really lucky to catch a late glimpse just before the sun emerged.

Elsewhere in the tree was a green heron, who was more brown than green so was perhaps a juvenile. Apparently, green herons are known to throw insects into the water to encourage fish to the surface, which is genius and must look amazing to see.

Suddenly a snowy egret burst into view, legs dangling and panicked wings flapping. There was a deep, kronking call as more birds surged upwards. Puzzled, I glanced around for signs of a raptor, when a disturbance in the water caught my eye. There, gliding without a sound, was an alligator. My first alligator! I could hardly contain myself. All I could see of it was a pair of eyes and nostrils, so I had no idea how big it was, which was perhaps more nerve-wracking than seeing the whole animal. Even from the safety of the car my paranoia imagined the alligator leaping headlong at the open window, but it just cruised out of sight and the birds soon calmed down.

I wandered further on to try and find a spoonbill. There was a loud rustling above and I looked up to see the trees absolutely covered in white ibis; wading birds that gather in large groups all across Florida. I was spoilt for choice for photos. Although they’re not the prettiest of birds, their long, red bills still looked impressive, especially when they all took off in one simultaneous swoop. In the absence of car engines and people this early on a Sunday, the only sound to be heard was the wind in their wings which sounded so magical.

After watching them leave I wondered what had scared them off. Once again I scanned the trees for signs of a raptor and this time I found one: a stunning osprey with a fish in its claws! I’d only seen ospreys once before in Scotland, all the way across a loch that made taking photos quite the challenge. This osprey, however, was a tree’s height away and sat in a perfect patch of sunlight that made its yellow eyes dazzle. It spotted me straight away and watched as I took photo after photo. Eventually it gathered up its breakfast and took off, just as the first dog walker came into view.

At 9:30am it was already getting too hot to be out without a hat, and my hastily eaten bowl of cereal at 6am seemed far away. I’d loved to have found my spoonbill, but having seen a bonus osprey and alligator I was far from disappointed. I’d just got back to the car and was fumbling for my keys when I glanced up, and by some miracle there was a spoonbill perched at the very top of a tree. It was the pink cherry on an incredible cake.